In the Time of the Virus

 

Schools around the country have either started the fall semester or are about to, some opening their buildings to students and others not, and everywhere there is confusion and apprehension about the changed circumstances due to coping with the coronavirus. Will students, especially the very young ones, be able to maintain their concentration when learning remotely? If they attend classes in person, will they endanger themselves and everyone in school as well as at home because of failure to maintain the new disciplines of social distancing, mask wearing, and frequent, conscientious sanitation?

 

Back in 1918 and 1919 during the worldwide outbreak of the Spanish Flu, remote learning meant home schooling. Social distancing was barely understood, and other measures to contain the deadly flu were haphazardly implemented from locality to locality. Where city-wide rules went into effect, such as in Milwaukee, Wisconsin, where officials closed the schools and banned some public gatherings (notably excepting saloons), the contagion’s effects were limited in comparison to places like Boston, Massachusetts, where public life went on much as before.

Rosana.Educaçao
Rosana Martinelli, mayor of Sinop, a city in the Brazilian state of Mato Grosso, meets with schoolchildren in May 2020, before the coronavirus pandemic gripped that country. Photo provided by Rosana Martinelli.

Schoolchildren, however, are a special case, then as now. Besides having a limited understanding of what’s at stake and the measures necessary to protect everyone from the coronavirus, many are incapable of respecting boundaries. Children, the younger ones particularly, by nature lack social control. For proper development, children need social contact of all kinds, whether that means actual touching or merely being in the presence of other children and adults. Can children, especially the very young, be expected to sit still and apart from each other for six hours or more every day, never getting close enough to play and roughhouse with each other?

The experiment of returning children en masse to in-person learning from teachers in school buildings is bound to fail. The primary reason for trying it out is to mollify those right wing supporters of the current president who are clamoring loudly for schools to reopen for a number of reasons, but mostly to do with denying the reality of the pandemic while somehow boosting their cult leader’s chances of reelection in November. The experiment will fail before November, and the school boards responsible for catering to right wing extremists can then say that they tried. Meanwhile, thousands of people will fall ill unnecessarily and some will die, sacrificed to the experiment.

An episode of Pocoyo called “Don’t Touch!” wherein Pocoyo, a very young boy, tries and fails to restrain himself from touching, demonstrating a lack of self-control natural to small children. Narration is by Stephen Fry.

There are other people, surely, with reasons for wanting the schools opened for in-person attendance. Working class families, for instance, many with only a single parent, have managed with great difficulty the extra burden of their children staying home more than usual. Those are the people most in need of assistance now, both financially and by having school districts reach out to them with help in keeping their children safe at home and learning. Family circumstances have changed in the century since the Spanish Flu outbreak, when it was more likely that one parent would be home during the day.

It would not serve today’s parents well to have their children exposed to risk at school, where they might easily pick up the coronavirus from classmates and then bring it home to their families. Working class parents already expose themselves to risk because they cannot afford to quarantine at home, but most go out in public to work, many of them in low-paid service economy jobs with few, if any, health benefits. Keep the kids at home for now, where being out of touch during a pandemic can be a good thing.
— Vita

 

The Conspiracy Line

 

By the 1960s, of the hundreds of streetcar lines that had once been a primary mode of transportation in cities and suburbs across the United States in the first half of the 20th century, only a small fraction still operated, and usually only in city centers. Competition from automobiles and buses was one cause for declining ridership of streetcars, and supposedly the costs of installing and maintaining lines was higher than costs associated with infrastructure for cars and buses. The history of what happened in the major mid-century makeover of American urban mass transit is muddled, and one explanation for it that keeps popping up has to do with the machinations of the automobile manufacturers, chiefly General Motors (GM).

 

The idea springs from how GM bought out streetcar lines around the country, and then dismantled the lines, junked the streetcars, and signed city governments to contracts for purchase and ongoing use of the buses GM manufactured. GM also sold cars to urban and suburban commuters who found themselves with fewer alternatives than they had before the 1920s, when the streetcar lines were still thriving. That’s a neat story, and it certainly fits in with the behavior we have come to expect of large corporations and the executives who run them, but in this case it turns out to be a little too neat and only partially true.

Purchase Street, New Bedford, Mass (68412)
A postcard circa 1930-1945 depicts Purchase Street in New Bedford, Massachusetts. Photo from the Boston Public Library Tichnor Brothers collection.

Market forces generated by consumer preferences played the greatest part in the decline of ridership on streetcar lines starting in the 1920s and accelerating through the next quarter century. The streetcar lines were privately owned and the companies bore the costs of maintaining the tracks they operated on and other infrastructure costs, even though they used the same publicly maintained roads as buses and cars. The streetcar lines were more and more at a competitive disadvantage as public money benefited those other modes of transportation and as consumers came to prefer the relative freedom of driving their own cars or taking buses that weren’t restricted to tracks.

Comforting as it might be to blame the automobile and gasoline industries for ripping up streetcar tracks around the nation, depriving commuters of a useful commuting option, the truth in this case is that the public shoulders the greater responsibility. Individual consumers operating in their own self-interest took advantage of cheap gasoline and publicly financed road building, such as the interstate highway system started in the 1950s, to buy at least one car for every household. In most cities, taxpayers balked at public ownership of the streetcar lines, a move which would have saved many of the lines from the corporate scavenging that ultimately killed them off. In other words, GM and other auto and gas corporate interests didn’t precipitate the demise of the streetcar lines, but neither did they mourn their loss, and ultimately, of course, GM and the others profited greatly from the makeover of the American transportation system.

By the time of the 1959 release of Alfred Hitchcock’s North by Northwest, the streets of Manhattan were dominated by vehicular traffic, and mass transit options for New Yorkers were limited to subways and buses. Bernard Herrmann composed the music for the film, and Saul Bass designed the titles. The director makes his cameo appearance at the end of the title sequence.

More than a half century after streetcars were all but wiped off the map in America, they are coming back in spots like Brooklyn, driven by the desire of some people to get around town without the hassles of car ownership, the pollution of cars and buses, the blight of enormous parking lots, and the swallowing up of green spaces for more roads to alleviate the congestion on existing roads, only to have the new roads fill up as well. Streetcars powered by electricity generate pollution at a remove, to be sure, but as more power plants use renewable energy sources, that problem should lessen. Meanwhile, building out more mass transit infrastructure should take off the road some of the oversized vehicles too many Americans appear to love, and which the automobile makers and the fossil fuel industry love turning out for them since they are highly profitable. It has taken a century for Americans to learn anew the value of mass transit options like streetcars, and perhaps soon, before we reach the end of the line, gridlock on the roads will clear, and so will the air everywhere.
— Vita

 

The Glass Half Full

 

“And yet it moves.” Galileo Galilei (1564-1642)

In an idiotic stunt on her Fox News television program on September 6, right wing commentator Laura Ingraham thought it would be good fun to upset liberals by sticking plastic straws and incandescent light bulbs into a slab of cooked meat and then sucking on one of the straws. The stunt revealed more about her emotional immaturity and that of her viewers who might have enjoyed the bizarre demonstration than it did about the ultimate worth of the causes she was mocking. That wasn’t her point, of course; the point for people like Ms. Ingraham and her fans is provoking liberals merely for the dubious enjoyment of provoking liberals, an attitude that displays all the maturity of a seventh grader shooting spitballs from the back of a classroom.


Оптимист и пессимист
An Optimist and a Pessimist, an 1893 painting by Vladimir Makovsky (1846-1920).

The unwillingness of bad faith media figures like Laura Ingraham to honestly and substantively discuss issues such as the environment generally, and the Green New Deal in particular, reveals their worries about how environmental initiatives like the Global Climate Strike may disrupt their lives and worldviews, and how because of their fears they resent the people backing the initiatives. They see it all as an infringement on their liberty rather than as a concession to sharing limited resources and playing nice with those unlike themselves. To them, it is not a matter of viewing the relative fullness or emptiness of a glass as it is a matter of resenting the people telling them that for the health of the planet and all its inhabitants, flora as well as fauna, all of us had better accept the situation of a glass not entirely full because constant demands by a relative few for an always full glass are causing environmental degradation and eventually, perhaps sooner rather then later, the glass will be empty for everyone.

But that’s what environmental science is telling us. Getting upset about it or denying it and hiding one’s head in the sand is not going to change it, any more than immature and unhelpful behaviors have ever changed other scientific realities. Worse yet is attacking the messengers in a bad faith attempt to disregard the messages. Why disregard clear, coherent messages? Because they disrupt the status quo for powerful people with vested interests in keeping things as they are, in continuing the business as usual of corporate profiteering at the expense of the long term habitability of the commons. Right wing pundits may not always consciously carry water for corporate exploiters of the environment and of workers, but since their interests often align with them the result is the same. The pundits know their audience is uniquely susceptible to fear and hate mongering, and they peddle those wares regularly to enrich themselves.


In this talk Noam Chomsky gave in April 2019 in Boston, Massachusetts, he looked back at the original New Deal to examine how the Green New Deal promises to change economic relationships while enacting energy and environmental initiatives.

 

The Green New Deal is felt as a threat by right wingers and by entrenched corporate interests because its environmental initiatives will reach into and change the entire economy, and that’s something they cannot help but see any other way than as a negative, a glass half empty. The privileges of white people generally, and of rich people in particular, will be eroded during these economic changes, and that’s a good thing for everyone else and for the planet, because the over extension and abuse of those privileges has been largely responsible for getting all of us into this mess in the first place. No matter how the over privileged feel about the changes, they will have to accept them and get used to them, because the alternative for them is grimmer still, as well as for everyone on our lifeboat Earth as it continues moving around the Sun.
— Izzy

 

Naughty Naughty

 

It’s not necessary to dive into the dark hole of right wing media articles attacking the so-called Squad of four Democratic congresswomen to catch the drift of the big stink they make; instead, simply read the loaded language of their sneering, derisive headlines. The most obvious characteristic of right wing media headlines of articles about these four women is the use of language indicating they are bad girls who deserve to be put in their place, even punished. This is a characteristic of right wing authoritarians, who see those who disagree with them as misguided souls deserving the wrath of Old Testament Jehovah.

 

The authoritarian right wing media seems to have a sliding scale of punishments for meting out to liberals. Of the four women in The Squad, Representatives Alexandria Ocasio-Cortez (D-NY) and Ayanna Pressley (D-MA) appear to be naughty young ladies in need of correction, according to the authoritarian mindset, while Representatives Ilhan Omar (D-MN) and Rashida Tlaib (D-MI), being Muslim, are too far Other for authoritarians to bother at all about disciplining, and therefore beyond the pale altogether and deserving of harsher treatment. Which is not to say the inflammatory language of right wing media has not fanned enough hatred in some quarters to prompt threats of violence against any of the congresswomen, regardless of the patronizing view that two of the four may be capable of redemption if only they would stop being uppity.

News & Observer History Rewrite
The News and Observer, a newspaper in Raleigh, North Carolina, spins the events of the Wilmington insurrection of 1898 in headlines for the November 11, 1898 edition of the paper to suit the viewpoint of the white supremacist power structure. As the preacher observed in Ecclesiastes 1:9, “There is nothing new under the sun.”

Using any decent news aggregator website which offers a buffet of articles from across the political spectrum, rather than from only one side or the other, makes it easier to spot the language of paternalism and punishment in right wing headlines because of the contrast with the article headlines from other media outlets. Loaded language is unfortunately a feature of too many media outlets, whether from the left or the right, but it is the punishment angle which is unique to authoritarian right wing media. Those naughty Democrats! When will they ever learn? They’re messing with the wrong people, and the righteous shall come down hard on them, the transgressors!

From the 1980 film The Shining, directed by Stanley Kubrick, Jack Nicholson as Jack Torrance and Philip Stone as Delbert Grady discuss the need for correcting misbehavior.

Far right authoritarians are more likely to confine their media consumption to a bubble than are people on the left or in the center, because right wingers feel threatened by ideas and viewpoints from elsewhere on the political spectrum. That, too, along with the desire to punish others, is a feature of the authoritarian mindset. It’s tempting to edit a news aggregator’s collection choices, if that’s possible, in order to avoid even skimming the ugliness of many right wing media headlines. That would be a mistake; that would put the liberal or centrist news reader in their own bubble. It’s better to keep those headlines, with their self-serving denunciations and propagandistic lies, so as to be able to occasionally peek into the netherworld of far right wing media. It’s unnecessary and probably unhealthy to dive in and read the articles.
— Ed.

 

Changing Partners

 

Video subscription service Netflix is increasing prices across the board early this year as the company finances its ever increasing production of original content. For about 4 million customers who still receive discs by mail, down from a peak of about 20 million in 2010, being asked to pay more to subsidize internet streaming content they may not want or, in many cases, be able to access, is a bit dispiriting, as if Netflix has forgotten the wisdom of the old saying “Dance with them what brung you.”

 

For most of this decade, Netflix has continued its disc-by-mail service as a legacy option while it focused on its streaming service and on offering shows produced in house. Customer service remained excellent even as the catalog of older movies and television shows available on disc steadily diminished. The large catalog of content from the mid-twentieth century and earlier is where Netflix really shined ten or more years ago. Blockbuster never offered as much, even in its belated transformation to Blockbuster Online. Redbox has also never had much to offer customers interested in anything other than the latest releases. Filmstruck had an extensive catalog of older, less widely popular content, but it closed shop last year.

WLEX-1928-BOSTON-POST
Clipping of a news story from the May 4, 1928 edition of The Boston Post, announcing the start of television broadcasts by station WLEX in Lexington, Massachusetts.

For people in rural areas, streaming is often not an option because they have no broadband service or service that is limited either in speed or data usage. There are probably some Netflix customers who simply prefer a disc over streaming, but the majority of the remaining disc-by-mail customers are likely people for whom streaming is not a viable option. It has become a niche market, to be sure, and one that Netflix will sustain only as long as it generates enough profits to supply cash for the rest of its business. That window is closing.

Next generation television, which will increase the opportunity for local broadcasters to open more sub-channels offering niche content such as old movies and television shows, is at least another year away, and probably two or three before widespread adoption. Next generation television is a voluntary standard for broadcasters to send a 4K signal accompanied by internet data over updated and more expensive transmitters. Home viewers will need a 4K television as well as a next generation tuner, known as ATSC 3.0, and an internet router in order to take full advantage of the new broadcast technology. Viewers can still watch programs broadcast in 4K without setting up to receive the internet portion of the signal, though it’s not clear now if broadcasters will encrypt some of their signals to make them available on subscription or only for those who have enabled the internet signal.

Since the FCC has made the switch voluntary, broadcasters have much wider latitude in how they implement the new technology than they did during the transition from analog to digital, and the power of the new technology itself makes more options possible. The question is whether home viewers will tolerate the targeted advertising enabled by the internet portion of the signal, looking on it as no different than any other internet service.

Fahrenheit 451, the 1966 film adaptation by François Truffaut of Ray Bradbury’s novel, here with Julie Christie and Oskar Werner, is the kind of movie that all but disappeared from broadcast television lineups in the past 30 years. With the possibility of more sub-channels becoming available after the 4K broadcast rollout, perhaps broadcasters will once again air movies like this.

For people who already have SmartTVs and use them for internet streaming there will probably be no difficulty in adjusting; for those people in the niche market of getting their video entertainment by way of a disc in the mail and then being left to enjoy it in peace, having to cope with only minor nosiness about them on the Netflix website, the adjustment may be a step too far into creepiness. It will be interesting to see if next generation 4K broadcast television and its improved reception in rural areas, combined with a wider range of content, fills the gap being left by the general move toward internet streaming and, if it keeps broadcast television free, whether it will be an improvement over most of those services, though it is hard to imagine a local television station going as far as devoting a sub-channel to obscure art house films.
— Techly

 

The False Witness

 

“You shall not spread a false report. You shall not join hands with a wicked man to be a malicious witness.
— Exodus 23:1, from the English Standard Version (ESV) of the Bible.

The job of White House Press Secretary has always been to walk a fine line between putting a good face on an administration’s policies and actions and lying about them outright. The current presidential administration and its press secretary have no such concerns and are obviously content to lie outright. When the White House released an altered video last week that made Cable News Network (CNN) reporter Jim Acosta the bad guy in an interaction with a White House intern who attempted to wrest a microphone away from him, they obviously cared not at all whether reasonable people believed their lie. They are, after all, not appealing to reasonable people.


Longboots1
Hip boots in the mud. Photo by Booter. Deep, and getting deeper all the time.

The current occupants of the White House offices know they have a third of the country solidly in their corner, people who will believe their lies without question and with gusto. Another third of the country is in the middle, sitting on the fence to one side or another, some of them perplexed or disturbed by the behavior they see from this administration’s people, but few of them willing to act on their apprehensions. The other third of the country consists of people who are steadfastly opposed to the current administration and are willing to resist to some degree its policies and actions and work toward its demise either electorally or by impeachment and conviction. The current president and his vassals care not one whit about the opinions of those people.

What’s particularly galling about the episode with Mr. Acosta is how the current Press Secretary, Sarah Huckabee Sanders, a self-professed devout Christian whose father is a minister as well as a politician, a woman who has never uttered any sincere support for womens’ rights otherwise and who works for a reprobate in the Oval Office who openly insults women at every opportunity, suddenly got religion about the issue of men assaulting women and used that as the excuse for revoking Mr. Acosta’s White House press privileges by way of her false witness regarding the altered video. He got handsy and rough with our female intern! No, he didn’t. Doesn’t matter, because the only people we need to convince will believe our version of events, and some of the rest will be so flabbergasted and flustered by the sheer chutzpah of our lying they will be paralyzed into impotence. The other third – who cares what they think?

Ms. Sanders has apparently made peace with her hypocrisy, no doubt rationalizing her aiding and abetting of evil as somehow being in the greater cause of Christianity. It is worrying, though, that a majority of white, middle class women have gone along with her down that road. They may have other reasons than Christianity to justify their support for and following of the Pussy Grabber in the Oval Office, but they all have rationalizations that can’t have much to do with the actual man and his policies. It’s almost understandable why white, middle class men might remain in his camp, because however misguided their wishes are, too many of them surely look up to him as someone worth emulating. But the women are a different story.

Pete Seeger led an audience at the Sanders Theater in Cambridge, Massachusetts, in 1980 in a performance of Meredith Tax’s “The Young Woman Who Swallowed a Lie”, an altered version of “There was an Old Lady Who Swallowed a Fly”.

Authoritarian Personality Syndrome (APS) and Social Dominance Orientation (SDO) are two of several characteristics that may explain why women follow the current president. Both are predominantly conservative characteristics and, by extension, fundamentalist Christians such as Ms. Sanders. Far more fundamentalist Christians are conservative than liberal. Without delving too deeply into differences in religions, it is safe to say fundamentalist Christians are more patriarchal than the average Christian, and more inclined toward APS and SDO characteristics. Women have to engage in more mental gymnastics than men to rationalize their devotion to the Leader of the He-Man Woman-Haters Club, but they do it, most probably with little introspection, and if his pep rallies are any guide, they are overcome with such starry-eyed enthusiasm they will approve of anything he says or does.
— Vita

 

Rest Easy

 

The expansive, pastoral cemeteries we are familiar with today came into being in the nineteenth century when municipal officials dedicated large amounts of land in the suburbs or just outside cities to landscaped burial grounds. Church graveyards within city limits had become overcrowded, prompting worries about public health and the integrity of nearby building foundations. The rural cemetery movement took its cues from English garden design of the eighteenth century, with vast expanses of mowed grass broken up trees and shrubbery, and taking advantage of vistas where possible. Since there were no public parks when these new cemeteries were designed and built, they soon functioned as parks at a time when enjoyment of the outdoors was more restrained and dignified than it is today. No one in Victorian times was jogging past the gravestones in shorts and very little else.

 

Those Victorian era rural cemeteries became part of the suburbs and then eventually were swallowed up by their city when urban growth expanded to encompass them. They can still be islands for quiet contemplation within a city if they are large enough for visitors to get away from the noise and bustle of surrounding streets. Their park function has been usurped by purpose built parks that allow a greater range of activities, such as jogging or playing softball. No worries there about disrespect for the dead. Since the fine old garden cemeteries of the nineteenth century have become incorporated within cities their boundaries have been limited and now they are either full or nearly full of permanent guests.

Rest in Peace
A monument at Lowell Cemetery in Lowell, Masachusetts. Photo by Bernie Ongewe.

The serenity invoked by well tended grounds and beautiful vistas is of course for the living, not the dead, who presumably are beyond caring. The same can be said for the fine caskets and embalming services offered by funeral parlors at a fine price to the lately bereaved. Nothing but the best for the dearly departed, and by extension to the social standing of those paying for it all. Cremation offers one way out of some of the unnecessary expenses and fuss of burial in a recognized cemetery. Where people have space available at home, a family plot is often outlawed by zoning regulations, and anyway the new custom of moving from one house to another several times throughout life makes it impractical. House buyers are understandably queasy about moving into a place with a stranger’s recently interred relatives just outside the back door.

The Loved One, a 1965 film based on a satirical novel by Evelyn Waugh, was directed by Tony Richardson and in this scene starred Robert Morse affecting an English accent as Dennis Barlow, who must see to the burial of his uncle while on a trip to Los Angeles, California. Liberace played Mr. Starker and Anjanette Comer played Miss Thanatogenos, both of the fictional Whispering Glades cemetery and mortuary.

There is another option, one that chucks all the trappings of the funeral industry and the land grabbing of permanent cemeteries, and that is natural burial. The dead are not embalmed nor are they buried in monstrously expensive containers that prevent or delay decomposition of the corpse and casket. The dead are buried in a cloth shroud or a simple wooden coffin which will decompose readily without contaminating the soil. Grave markers are not permanent reminders such as the headstones found at a conventional cemetery, but low key natural markers meant to degrade within a generation, or plantings such as a tree which will eventually supersede its function as a mere grave marker. The land is conserved as wild space rather than subject to continuous environmental destruction by modern landscaping practices.

Natural burial is a return to the practices of our ancestors. In some parts of the world, people have never deviated from natural burial practices. Returning to dust is inevitable, and it might as well happen in a way that preserves the economic and environmental resources of the living. Memories of the departed can be kept alive in ways other than the permanent reminders of headstones and the expensive and often environmentally destructive tending of a cemetery landscape designed to appear natural, though upon reflection it is hardly that at all, any more than the neatly clipped lawns in the suburban and city lots surrounding it.
— Izzy



Sting wrote “All This Time” in 1990 about the recent death of his father and about his memories of growing up near the shipyards of Wallsend in Northumberland, England.

 

It Ain’t Library Science

 

Archaeologists recently uncovered the remains of a public library in Cologne, Germany, which they surmise was built in the second century of the common era by the Romans or the workers of the Roman client state in control of the region. The architecture follows the model of other large Roman libraries of the period, such as the one in Ephesus, on the western coast of modern Turkey. The reason for thinking it was a public library rather than a private one is the great size of the structure and its location in the public forum of the ancient city, where all buildings were public.

Bookplate of Edward Penfield
Bookplate of American painter and illustrator Edward Penfield (1866-1925). Bookplates are labels people paste into the frontispiece of their books to declare ownership. They were more popular a century ago than now, and as seen here some readers contrived custom bookplates.

 

A public library of two thousand years ago was not the same as a public library now, offering books on loan to members of the general public. Because books were hand copied into scrolls or codices, they were limited in number and expensive to produce. No one could walk in to a public library of two thousand years ago and expect to walk out with one or more books under their arm, to be returned after several weeks. People read the books in the library and the books never left the premises.

The meaning of “public” was also limited at that time to those who were literate and therefore had a reason to be there accessing the books. These would have been scholars of one sort or another, whether in the employ of government, academia, or a wealthy individual, and they would have been almost certainly all male. Lending libraries did not come about until the Renaissance, after the invention of the printing press made available large numbers of copies of books at lower cost.

 

Even then, the number and type of people who could borrow books was limited. Universities and colleges had their own libraries, with their collections available not to the general public but to students and faculty of the institution. That model persists to this day. Private societies lent out books to their members, who also contributed books. They were lending libraries, but in no sense were they public. It was not until civic groups and prominent citizens in Boston, Massachusetts, created the Boston Public Library in 1848 that the institution of the lending library as we know it came into being. The Boston Public Library was the first institution in the country that was open to all and was funded largely by taxpayers, with some assistance by private endowments and gifts of books.

BostonPublicLibrary BoylstonSt 1850s
An 1855 engraving showing the future building of the Boston Public Library on Boylston Street. The library moved into the building in 1858 and stayed there until 1895, when it moved into the grand building on Copley Square where it has remained to this day.

The model caught on, obviously, since today there are over 16,000 public libraries around the country. In the past 30 years or more, two great changes have affected those public libraries, and they are no longer what they were during their heyday in the twentieth century. The first change came from the effects of cutbacks in social programs starting with the Reagan administration. Homeless numbers increased as politicians undercut the social safety net and as mental hospitals could no longer afford to house indigent patients, setting them loose on the streets. Shelters that took in homeless people overnight often turned them out during the day, and the homeless gravitated toward public libraries for safe daytime shelter with access to bathrooms.

Boston Public Library Reading Room
Boston Public Library Reading Room in October 2013. Photo by Brian Johnson.

 

The second change came about with the rise of computers and the internet. Public libraries have gamely kept up with the technological changes despite cutbacks in taxpayer funding, and for the most part they have successfully integrated patrons’ interest in checking out electronic books as well as traditional paper books. Where conflict has arisen it is in affording access to library computers to patrons, some of whom had little interest in setting foot in their local public library until it installed computers with free internet.

With the influx of people who are not readers as much as internet users and are likely as not indifferent to norms of behavior in the library, and homeless people who sometimes abuse library facilities and even other patrons, librarians now have their hands full with duties that have nothing to do with their traditional training in library science. Patrons who are readers and have used their local library’s services in person for decades no longer feel comfortable there, and now often prefer checking out electronic books from the library’s website rather than visiting the library in person. Pity the unfortunate librarians then, who cannot escape the loud cell phone users, the raucous children who have been dumped by their parents in the young readers’ room as if it were a free day care center, and the homeless people who, often through no fault of their own, have been thrown on the good graces of the librarians, but who complicate the work day for those overburdened librarians by the criminal or mentally unstable acting out of some of their number.
— Vita

 

It Ain’t Heavy

 

In the first of two presidential campaign debates in 1988, when Vice President George H.W. Bush referred to his opponent, Democratic Massachusetts Governor Michael Dukakis, as a “card-carrying member of the ACLU” (American Civil Liberties Union), he was actually citing Governor Dukakis’s own words from his speeches during the Democratic primaries, when he wanted to appeal to the left wing of the party. Governor Dukakis’s choice of words were unfortunate for him given the connotations of the phrase “card-carrying member” ever since the red-baiting days of the early 1950s Joseph McCarthy era, and the Bush campaign probably couldn’t believe their luck in that Governor Dukakis handed them such a juicy gift with which to smear him.

 

They knew and counted on the reality that most of the public do not delve deeply into the true meaning of things, and instead are all too eager to fall back lazily on shorthand terms. Conservative independents, to the extent they understood at all what the ACLU was about, had only to hear that the organization had the words “civil liberties” and “union” in it, and that Governor Dukakis was a “card-carrying member” of it, to jump to the conclusion that the man from Massachusetts with the foreign sounding name was practically a Communist, resulting in their bolting toward Vice President Bush. Governor Dukakis spent the rest of the campaign explaining himself regarding that and other blunders, and once he went on the defensive the campaign was over. Ever since then, mainstream Democrats have been careful to define themselves as Republicans Lite, rather than being card-carrying members of any organization other than Corporate America.

YDS-NewLogo
A logo designed in 2010 by Sean Monahan for a wing of the Democratic Socialists of America. Since 2016, about 24,000 people have joined the DSA, most of them under age 35.


A public service announcement from the ACLU in reaction to the use in 1988 by the Bush campaign of the phrase “card-carrying member” as a smear tactic. Interesting to note the mentions of the ACLU defending Oliver North.

In good news for people who would still like to work within the Democratic Party but who see it as hopelessly beholden to corporations while cynically throwing identity politics bones to the left wing in order to appease them, candidates for local and state offices around the country who are endorsed by the Democratic Socialists of America (DSA) are having success in elections since 2016. The DSA is not a political party. It is an activist movement within and sometimes without the Democratic Party, and it endorses candidates who push its policy goals such as a $15 an hour minimum wage and getting the corrupting influence of corporate money out of politics. Michael Harrington founded the DSA in 1982, and the organization had not seen much success until the past two years, when Vermont Senator Bernie Sanders openly avowed socialist principles in his presidential campaign, for many people doing away with the stigma of socialism that Governor Dukakis had tried to wipe off himself in 1988.

Most of the people inspired to become members of the DSA by Senator Sanders’s example, even though he himself had never joined, were not yet born in 1988 when the Bush campaign found it incredibly easy and profitable to brand Governor Dukakis an extreme leftist and make it stick with the public. For these downwardly mobile Millennials, some of them highly educated and many of them underemployed, the myth of capitalism raising all boats is for suckers. These were the people who formed the core of the Occupy movement in 2011, and when the establishment in the Democratic Party pushed everyone to accept their Republican Lite candidate, Hillary Clinton, while using subterfuge to undermine Senator Sanders’s candidacy, leading ultimately to the debacle of the general election, some of these same politically active young Democrats turned to the DSA to work to change the Democratic Party from the grass roots on up.

As the 2018 mid-term elections approach, Cenk Uygur delivers an astute analysis of the Democratic Party establishment from a perspective to the left of the mainstream. As always in keeping a wary eye on politics and politicians, it is good advice to follow the money.

The national Democratic Party establishment is too compromised and seduced by corporate money to listen to what working class and middle class people in places like western Pennsylvania are concerned about, the same people who essentially cast protest votes for Orange Julius in 2016, as ill-advised as that may have been. The Democratic establishment will try to make the 2018 midterm elections a referendum on Orange Julius, and to a certain extent they should, but what they are missing in their tone deafness to the needs of Americans in places like western Pennsylvania and Flint, Michigan, and the dairy farms of Wisconsin, is the desire of citizens there to see Democrats demonstrating real intentions to implement policies once they are in office that will improve the lives of the majority, instead of just big money corporate donors. The national Democratic Party establishment is hopelessly out of touch with those citizens. Card-carrying DSA members, working with local and state candidates, understand positive change will only come by listening to and serving citizens directly, and ignoring the cumbersome Democratic Party establishment, which is interested only in perpetuating itself by offering the easy way out by criticizing the current president’s disastrous administration, and in replacing his corporate water carriers with their own.
— Ed.

 

Twelve Angry Days

 

Right wing media has its knickers in a twist the past week over the findings by a Boston University theater history professor of some racist performances of “Jingle Bells” from the mid-nineteenth century through the early twentieth century. The professor, Kyna Hill, was researching the origins of the song and trying to settle whether it was written by James Lord Pierpont in Medford, Massachusetts, or in Savannah, Georgia. Ultimately the song’s point of origin remained unclear, but during the course of her research Professor Hill discovered that the first performance was in 1857 at a theater in Boston, and the white performers wore blackface.

Rudolf Ferdinandovich Frentz - Sleigh Ride in Winter
Sleigh Ride in Winter, a painting by Rudolf Frentz the Elder (1831-1918).

Professor Hill never claimed that the song as it is performed today is racist, but that did not deter some right wing media outlets such as Breitbart News from attributing that and other claims to her in an effort to paint her as an advocate of political correctness run amok. Right wing media enjoys fanning the flames of anger among its adherents, and since anger is the fuel of authoritarians, the readers and consumers of Breitbart News and other such outlets are always ready to flame up from a slow burn to a white hot conflagration. If there are not enough true stories available to fan their outrage, then the right wing will have to invent some false stories. The trendy term for that is “fake news”.

All this anger over ginned up controversies surrounding Christmas has been going on for a century, ever since the industrialist Henry Ford began muttering vaguely anti-Semitic remarks about a “War on Christmas”, as the right wing has since dubbed it. Ford thought Jewish owners of department stores were engaged in a conspiracy to undermine the Christianity of Christmas, all while lining their pockets by turning it into a largely secular, mercantile holiday. Never mind that no one twisted the arms of white Christians to engage in an orgy of spending for Christmas. The important thing was to direct right wing anger at an Other as American society turned away from the Currier and Ives mid-nineteenth century vision of Christmas (the same time as the early performances of “Jingle Bells”) to a more cosmopolitan, polyglot vision brought by the waves of immigrants in the late nineteenth and early twentieth centuries.

In Henry Ford’s day, Jews could be openly cast as the Other. After World War II and the Holocaust, that was no longer acceptable, and vilification of the Other settled on Communists, or Reds. The latest target of right wing objectification of an ideological and cultural Other is political correctness, a movement that started in the 1980s and has at times veered into ludicrously priggish stifling of dissenting opinion and alternative behavior, making it easy for the right wing to get outraged about it. Some people mock the excesses of political correctness, while right wingers alternate between mockery and spitting rage. Since political correctness is neither a religion, like Judaism, nor an entire political system, like Communism, the casting of its adherents as the Other by the right wing does not follow the same strand of unalloyed hatred.

Viewed by the right wing, and by some in the rest of society, advocates of political correctness are sociological scolds who are bent on taking away every last bit of cultural heritage of white European culture in America. The Nanny State description sums up the right wing view of the political correctness movement. When a story like the “Jingle Bells” one comes along then, right wingers are primed to pounce on it and vent their anger by putting words into Professor Hill’s mouth, making her a cipher for opinions she never expressed. In the “War on Christmas”, the right wingers proclaim “you are either with us or against us”. As a reward for her scholarship, poor Professor Hill got caught up in the culture war and got set up and knocked down as the right wing’s straw woman of the moment.
― Vita

 

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