Charlie Don’t Surf

 

“Charlie, that’s beneath you,” Steve Bannon told interviewer Charlie Rose on the 60 Minutes television program this past Sunday, referring to Rose’s remark that we are a nation of immigrants except for the Native Americans. Bannon’s statement was bizarre and nonsensical, and seemed to come from his own peculiarly politicized vision of American history in which admitting that European immigrants largely stole the Western Hemisphere from Native Americans in a shameless display of cupidity and genocide is somehow nothing more than shameful leftist propaganda. So much for honestly facing the truth.

Charlie Brown parade balloon
Charlie Brown parade balloon at the 2016 Thanksgiving Day parade in New York City. Photo by Midtownguy2012. Maybe Steve Bannon was referring to all the immigrants in the streets of New York City below the floating Charlie Brown balloon.

Even though Mr. Bannon is out of the White House now, his legacy lives on in the administration’s immigration policy, specifically the recent announcement about ending the Obama era DREAMer policy of granting a path to citizenship for children of illegal immigrants. Mr. Bannon does not appear to care for immigrants, legal or otherwise, no matter what sort of intellectual gloss he slops onto his elitism. He is an unsavory man who sees nothing wrong with declaring war on the brown-skinned peoples of the earth, as long as people other than him and his kind are doing the fighting. The short termed White House Communications Director Anthony Scaramucci, in his own succinct way, characterized Bannon absolutely correctly. Mr. Bannon is someone who takes himself too seriously, and is accustomed to overawed admirers reinforcing his own high opinion of himself.

A clip from the 1979 film Apocalypse Now, directed by Francis Ford Coppola, and here featuring Robert Duvall as the gung ho Colonel Kilgore.

For all that, what do Mr. Bannon’s ideas amount to? Not much other than what can be found in the writings of Rudyard Kipling – the White Man’s Burden and all that – but without Kipling’s compassion. Steve Bannon is a man out of his time, which rightly should be about 150 years ago. Perhaps that was when America was great for him and his kind, or at least it was if he ignored the multitude of recent German and Irish immigrants, the millions of African slaves recently freed after the bloody Civil War, and all the Mexicans still at large in the new territories and states of the American southwest as a result of the giant land grab known as the Mexican-American War.

“Charlie Don’t Surf” from the outstanding 1980 triple album Sandanista! by the English band The Clash.


In that world, Mr. Bannon would no doubt have felt at home because his cognitive dissonance about American history would not have been noted by his contemporaries. He would instead have been part of the mainstream of Old Boy elites riding high on the backs of immigrant and poor persons’ labor, while snootily ignoring that fact and looking down on them, the source of his wealth, and of his leisure to engage in what amounts to little more than mental masturbation. Maybe that’s what he meant when he said “Charlie, that’s beneath you.”
― Ed.

The First Thanksgiving cph.3g04961
The First Thanksgiving, 1621, an early twentieth century painting by Jean Leon Gerome Ferris (1863-1930). The painting portrays Native Americans as guests partaking of the bounty provided by The Pilgrims, while by all honest accounts of the period the Native Americans generously saved the newcomers from privation in their early years of struggling to survive in the unfamiliar surroundings of the New World. Steve Bannon would no doubt find comfort and confirmation in the relationship of the two groups as portrayed in this painting.

Please Leave It at the Door

Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!

― Excerpt from The New Colossus, by Emma Lazarus (1849-1887). This is the poem inscribed on a plaque at the base of the Statue of Liberty.

 

Summertime is here in the United States, regardless of the timing astronomers would like to impose on it with their solstices and equinoxes. For many of us, summer starts with Memorial Day and ends on Labor Day. And for many of us, hot summer weather has us searching for a cooling alcoholic refresher that is light and may even have some beneficial vitamin C floating in it. Sangria!

 

Sangria is not a kind of wine, though one may get that impression from some bottled varieties at the grocery store. Sangria is in fact a wine punch, and that is what is packaged in the bottles. Most people prefer to make up their own Sangria by combining ingredients from the wine aisle at the grocery store, the produce section (especially citrus), and possibly the soda aisle. Some will make a side trip to the liquor store for brandy, cognac, or other spirits to add depth and punch to their Sangria. The possibilities with Sangria are enormous, and in summertime it seems the rules relax for a lot of things in life. Make a batch that suits you and keep it chilling in a pitcher in the refrigerator.
Ambersweet oranges
‘Ambersweet’ oranges, Citrus sinensis, a new cold-resistant variety; photo by the Agricultural Research Service of the United States Department of Agriculture (USDA).
There are some problems here that you should be aware of in our times of racial purity, and you would do well to take note of them. Let’s take the last item first – refrigeration. You are probably okay there because while no single person can be acclaimed as the inventor of refrigeration, the numerous contributors all appear to have either Anglo-Saxon or Germanic heritage. So far, so good.

Looking at the liquor store offerings, we get into murkier territory. To begin with, alcohol as a word originates from Arabic, which is strange considering the Islamic prohibition of alcohol. Next, brandy and cognac come from France, so no good there considering the Frenchies reluctance to back us in our military adventures. Unlike the British, the snooty French ask too many uppity questions. If you want to spike your Sangria, stick with Kentucky Bourbon or Tennessee Mash, or maybe some backwoods Moonshine.

You ought to be okay with soda, but be careful of things like Canada Dry ginger ale and some of the Mexican sodas which are produced with Caribbean sugar cane instead of good old American high fructose corn syrup squeezed from – what else- corn, also known as maize. The Indians introduced us to maize, but let’s not get into all that. We have done them one better at least by introducing Roundup-ready corn into the food supply.

The citrus fruits you may want to include in your Sangria, well now there’s a puzzler. Oranges, while they are currently grown in Florida or California, originated in southern China or southeastern Asia. That’s a thorny problem. The same goes for lemons and limes, which also originated in the same area of the world populated by little yellow and brown people speaking gibberish, possibly anti-American.

If you are to remain racially pure then, there’s not much you can do with Sangria, regardless of the multitude of recipes available. Now we come to the base of the Sangria, which is by definition some sort of Spanish or Portuguese wine. Using anything else, like German wine, would not really be Sangria, at least not in spirit (so to speak). But while the Spanish are pure bred, unlike the Mexicans who are mostly an unholy mix of Spanish and Indian known as Mestizo, with their short stature, brown skin, and Otherness, the Spanish are still not entirely with us. They used to be better, when Generalissimo Francisco Franco was in charge. But since then, not so much. Their wines for Sangria are therefore suspect. Take that under advisement.

The amount of varieties out there serves no other purpose than to test your mettle. It’s hot. You’re sweaty after a long day outdoors. Sangria in its multitude of varieties generously contributed from around the world is not for you. If you were to enjoy it all, you would have to ask that the little brown and yellow skinned peoples leave it at your door, and then scuttle away quietly before the neighbors noticed. Maybe cold lager beer from central Europe is the answer to your summer sweats, if only it weren’t for the fact it’s history can be traced back to beginnings in the Middle East. Those devilish Wogs, at it again!
― Izzy

 

As High as an Elephant’s Eye

There’s a bright golden haze on the meadow.
There’s a bright golden haze on the meadow.
The corn is as high as an elephant’s eye,
And it looks like it’s climbing right up to the sky.

 

Oh, what a beautiful morning!
Oh, what a beautiful day!
I’ve got a beautiful feeling
Every thing’s going my way!

― Excerpt from “Oh, What a Beautiful Morning” from the musical Oklahoma!; lyrics by Oscar Hammerstein II.

The hemp plant, Cannabis sativa, has had a tortured history over the past hundred years on account of its close relative, also Cannabis sativa, but more commonly known as marijuana. The variety grown as hemp and renowned throughout history over several continents for its practical uses has a vanishingly small tetrahydrocannabinol (THC) content of less than 1%, while the variety grown for its psychoactive properties has a THC content over 20%. Smoking hemp would induce a headache rather than relieve one. Why then has hemp been demonized along with its fun-loving and meditative relative?

Like the shreds of fiber running through a stalk of hemp itself, the story has many strands, and they are all entwined within the Cannabis sativa plant as a whole. In the early twentieth century, Mexicans fleeing the chaos of revolution in their country came to the United States in large numbers and brought their recreational and medicinal use of marijuana (their term) with them. Americans had long grown hemp, but they had little interest in its higher THC relative. Americans evidently preferred liquid spirits. The influx of Mexican immigrants with their loco weed coincided with the push toward prohibition of alcohol which culminated in the passage of the 18th Amendment to the Constitution in 1919.

Americans who were now prohibited alcohol could not be allowed to turn to marijuana for relief, particularly considering its association with poor brown-skinned people and, increasingly, poor black-skinned ones. The demonization began in the southwestern and southern states in the 1920s and spread to the rest of the country by the early 1930s. Government agents would have too much difficulty discerning innocent hemp in the field from devil weed, and therefore it was all to be outlawed. Farmers who still wished to grow hemp had to apply for a license from the government and submit to oversight and red tape. Fewer and fewer farmers wished to put up with the hassle from the 1930s on until, after a brief blip of government encouragement during World War II, no one was growing hemp in this country after about 1956.

Hemp for Victory, a 1942 short film from the United States Department of Agriculture.

 

There are also possibly self-serving culprits in the demonization of marijuana among the powerful of the 1920s and 1930s in the United States, among them William Randolph Hearst, Andrew Mellon, and the DuPont family. Hemp, a useful and unglamorous plant with no psychoactive properties, was difficult to demonize. It’s smoky Jazz Age relative, on the other hand, lent itself more easily to demonization, and then hemp, the real target of powerful business competitors, was more easily tossed by them onto the smoldering pyre of public condemnation as a matter of guilt by association.
Sing a Song of Six Pants (1947) 2
Shemp Howard, in the middle, receives an ironing board rebuke from Moe Howard, on the left, while Larry Fine looks on in Sing a Song of Six Pants, a Three Stooges short from 1947. Shemp should not be confused with hemp, nor with Joe Palma, also known as “Fake Shemp” after he doubled for Shemp following the famous comedian’s untimely demise.
The lowest point was reached in the 1970s and 1980s with the designation of marijuana as a Schedule I narcotic in the Controlled Substances Act of 1970, the creation of the self-perpetuating Drug Enforcement Agency (DEA) a few years later, and in the 1980s the introduction of draconian mandatory, minimum sentencing laws with the promise and encouragement of zealous enforcement by the administration of President Ronald Reagan. The prisons, many of them now privately operated for profit, have been bursting at the seams ever since, mostly with the grandchildren of those poor brown or black people we discussed earlier, a lot of them busted for minor drug offenses. How do you control a population? Start with their customs and particularly target what you can portray as their vices. Have a stiff alcoholic drink then and consider whether your profitable – and even patriotic – plan to grow some useful hemp is worth your while to hassle with the DEA, the ultimate overseer, state laws tendering you encouragement notwithstanding.
― Izzy