Tag: James Stewart

As the Wind Blows

 

“The wind bloweth where it will, and thou hearest the voice thereof, but knowest not whence it cometh, and whither it goeth: so is every one that is born of the Spirit.”
— John 3:8, from the American Standard Version of the Bible.

The wind blows pollen from male trees in towns and cities across the country, and because there are far fewer female trees planted due to the perceived messiness of their fruits and seeds, much of the pollen lands instead in the breathing passages of people and animals, provoking allergic reactions. For trees, it’s an isolating and nearly sterile environment. Rain washes the pollen away from the streets and the houses and the cars eventually, but the people and animals have already inhaled more than some can tolerate.


A person can stand alone a very long time and be at peace, not feeling lonely, and until the wind whispers in their ear about the possibility of someone’s loving companionship they might stay alone, happily, for many years more. The wind has blown good news in that case, but it may as well have stayed calm and quiet. It is impossible to ignore the wind’s news, however, and in altered circumstances the person now realizes, oddly, how lonely life can be.

Boreas
Boreas, a 1903 painting by John William Waterhouse (1849-1917).


Love scene from Vertigo, a 1958 film directed by Alfred Hitchcock and starring Kim Novak and James Stewart. Bernard Herrmann wrote the haunting score.

Would it have been better not to listen? Better to shut the windows against the noise, the pollution, the pollen, and everything else carried by the wind? Everyone has to make up their own mind about it, and things change and therefore minds change as well. Even a person who rarely feels lonely can suddenly understand what it means when experiencing the loss of a loved one, or when falling in love with someone whose absences leave a void filled only with reveries of times spent together and dreams of future unions.



Dutch harpist Lavinia Meijer performs “Metamorphosis Two”, by American composer Philip Glass. Mr. Glass wrote the piece in 1988 and recorded it in 1989, and in 2002 he incorporated it into his score for the film The Hours.

Patience with those gaps means as much as patience with one another in the times spent together. Being patient demonstrates trust in the other person and acknowledges vulnerability to them. There’s no use in rushing; haste will only create a shaky foundation. You don’t know where love came from, and much as you would like an end to anxiety by knowing where it is going, you can’t. A person might say, imploringly, to the wind if not to one’s beloved, “I didn’t know I was lonely until I met you, and now that I have fallen in love and experienced loneliness when we are apart, I wish an end to loneliness. Please comfort me by returning my love!” But all you can wisely do is listen, and open yourself up, and give generously without demanding a return. “Love is a thing full of anxious fears.” — Ovid
— Ed.


Linda Ronstadt sings lead, with harmonies by Emmylou Harris and Dolly Parton, for their rendition of “Feels Like Home”, written by Randy Newman.

 

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Getting Flaky

 

Snow has always been more problematic for movie sets than rain, but when the filmmakers and their special effects people do it well it creates an atmosphere for viewers that suspends their disbelief to the point of not noticing smaller details, like how the snow fallen on performers doesn’t appear to melt quickly when they go indoors, where it is presumably warmer than it is outside. All sorts of obstacles dictate the use of fake snow for movies rather than the real stuff, from warm weather outdoors to shooting scenes indoors on sound stages. Real snow also compacts underfoot, making it impracticable for filmmakers to get more than one or two takes in one spot outdoors even when they go to the trouble of brushing over footsteps to make the snow appear fresh for retakes. As expensive as it is to make a movie, it makes sense to use fake snow.

 

In the early twentieth century, filmmakers created fake snow with bleached cornflakes, salt, flour, cotton wadding, asbestos, or combinations of those materials as well as others. All posed problems either of realism or health and safety. Cornflakes crunched underfoot and were difficult to use once sound came into movies; salt was corrosive; flour congealed on exposure to moisture; cotton was a fire hazard, and its replacement, asbestos, was a health hazard. Filmmakers experimented with many materials, but it wasn’t until Frank Capra’s 1946 film It’s a Wonderful Life that they came upon a winning formula which was realistic and safe.

Snow in the City - Six Summer Saturdays - Fake snow in Chamberlain Square (6014608196)
Fake snow attracts visitors to Chamberlain Square in Birmingham, England, in August 2011 as part of the Six Summer Saturdays festival. The fake snow was supplied by Snow Business, an English firm that has also used the material on many movie sets. Photo by Elliott Brown.

For that film produced by the studio RKO (Radio-Keith-Orpheum), special effects supervisor Russell Shearman helped create a mix of foamite – a fire extinguisher material – with sugar, water, and soap flakes. Mr. Shearman’s snow effects were so convincing that the Academy of Motion Picture Arts and Sciences gave him and his special effects department a Technical Achievement Award for their work on It’s a Wonderful Life. Watching this Christmas classic over 70 years later, after special effects have made huge advances in duplicating reality, and noticing how at the end of the movie the “snowflakes” on Jimmy Stewart’s shoulders take a long time to melt when he comes indoors to a warm reception from his family, friends, and neighbors, should not detract from anyone’s enjoyment of a great cinematic moment or the filmmakers’ expert creation of George Bailey’s (Stewart’s) snowy odyssey one long Christmas Eve in the fictional New York town of Bedford Falls (or its nightmare alternative, Pottersville). Movie magic at its best suspends the viewer in another world for a time, and on the few occasions when the artifice shows through, it’s charitable not to be too picky and to brush them off.
— Vita

Bing Crosby, Rosemary Clooney, Danny Kaye, and Vera-Ellen in the 1954 film White Christmas, directed by Michael Curtiz, and with songs by Irving Berlin, including “Snow”. The performers take the train from Florida and eventually arrive in Vermont, where snow doesn’t fall until Christmas Eve.

 

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Mnuchin in Love Nest with “Actress”

 

Treasury Secretary Steven Mnuchin and his new bride, “actress” Louise Linton are the very latest models of a Washington power couple. The two gaga lovers tied the knot in June in a ceremony attended by Washington, Wall Street, and Hollywood elite. You were not invited. Mr. Mnuchin, fresh off his stint foreclosing on old ladies for his company, OneWest bank, was sworn in to his new gig as Treasury Secretary in February in an exclusive Oval Office ceremony attended by only a select few. Ms. Linton was there, because even though she and Steve hadn’t gotten hitched yet, she was still his very significant other.
Steve Mnuchin swearing in
Steve Mnuchin swearing in, with P. and V.P. in attendance, and the fabulous Louise Linton looking on soulfully. Now that’s acting! Wish you could’ve been there – not!

The two lovebirds have been caught up in controversy lately – oh, that liberal media! – which really amounts to nothing to people who know what’s really important, like shopping! First, the Mnuchster had to fend off a plea from his Yale (only the best schools) classmates asking him to consider resigning from his post in the administration due to some unfortunate remarks made by his boss – again, it’s the liberal media stirring up trouble! No way, he replied, I’m in this for the long haul and there’s plenty of draconian fiscal measures I have yet to implement with the boss’s blessing. Besides, all that brouhaha was stirred up by the liberal media mischaracterizing the words which spilled out of El Supremo’s mouth. The words (only the best words) would seem to indicate he is a white supremacist and a neo-Nazi sympathizer, but that’s only if you slant things by listening to the words in the order he said them.

Lionel Barrymore as the greedy, unscrupulous Mr. Potter tempts James Stewart’s George Bailey in the 1946 Frank Capra film It’s a Wonderful Life.

Shortly after that kerfuffle, the newly minted Mrs. Mnuchin, “actress” Louise Linton wrote some things on Instagram that the plebeians expressed indignation about, and Louise had to set them straight. To paraphrase, she told them to eat Little Debbie snack cakes, or whatever horrid stuff you working class dullards stuff in your mouths with your pudgy fingers. Louise and her figure are too fabulous to touch that kind of ick! Anyway, it all started with a plane trip to Fort Knox in Kentucky that Louise and hubby made – coincidentally! – on Monday, the day of the solar eclipse, in a place where the eclipse was near total. Fabulous! but a total coincidence, mind you! So there was a government plane involved, the shopping and eclipse viewing were fantastic! Eat your Little Debbie fudge fingers, or whatever they’re called, and shut up!

The talented and charming Eva Gabor sings the praises of luxury while Eddie Albert sings of integrity and honest toil. It’s not so much that they were giants in those days of the late 1960s, as that we have sunk to the bottom of the barrel since then.

That’s the news from the upper crust, your fabulous betters. You may return to your hog slopping or whatever it is you do, you pathetic prole. And pay up on that mortgage, slacker! Now go away.
― Ed.

 

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