“You, who are on the road, Must have a code That you can live by. And so become yourself Because the past is just a goodbye.”
— Opening lyrics of “Teach Your Children”, written by Graham Nash.
Organizers of Woodstock 50 have canceled the event scheduled for this weekend that was intended to commemorate the 1969 concert on a scale commensurate with the original. There were mounting difficulties in putting together the 2019 concert, and at the end of July the organizers threw in the towel. Instead there are small scale events scheduled for the weekend that have been organized by the Bethel Woods Center for the Arts near the site of the 1969 concert, and there are also some informal events happening at the original site.
It’s just as well Woodstock 50 fell through the cracks, because these continuing reboots of past successes have become tiresome and shallow scavenging for meaning grafted Frankenstein-like onto the present, as if clinging to the past would revive only the good times. For the promoters of such events and movies and television shows like them, there is profit to be made borrowing on memories. And since people continue paying for these popular culture revivals, there is no reason for promoters and Hollywood producers to stop digging up old things, slapping a modern sheen on them, and charging admission to the public for the dubious enjoyment of reliving the old days.
A protester holds up a sign at the March for Our Lives demonstration in Washington, D.C., in March 2018. Photo by Flickr user Lorie Shaull.
Let the past be past. “Why seek ye the living among the dead?” (Luke 24:5). Let the past be its own thing. For the important things that face everyone today and in the future, it appears children are taking the lead, while adults around them are either in denial or slogging along, many of them disheartened and looking in the wrong directions for answers. In the last couple of years, youngsters have marched in protest against legislators who drag their feet in addressing gun violence, and have struck from school and marched in protest against legislators’ unwillingness to effectively tackle climate change.
Swedish teenage climate activist Greta Thunberg is now on a sailboat crossing the Atlantic Ocean in order to attend the United Nations Climate Change Summit in New York City next month. She started striking from her school in Sweden last August, founding the Youth Strike for Climate movement, and she has attracted so much attention to the cause since then that earlier this year three Norwegian parliament members nominated her for the 2019 Nobel Peace Prize. If she wins, she would join 2014 winner Malala Yousafzai of Pakistan as the second teenage activist to win the Prize.
Greta Thunberg with her sign outside the Swedish parliament building in August 2018. The sign reads “School Strike for Climate”. Photo by Anders Hellberg.
More importantly, she will gain international validation for the cause, an essential step in repudiating and ultimately sidelining the hateful antagonism of skeevy jackasses such as British businessman Arron Banks, who tweeted to Ms. Thunberg as she set off on her Atlantic cruise “Freak yachting accidents do happen in August.” He later claimed his vile suggestion was “a joke.” Ha ha. It was a joke like the 2016 campaign trail hint from the skeevy jackass now occupying the Oval Office was a joke when he floated the idea of “Second Amendment people” assassinating his Democratic Party rival. Ha ha.
Make no mistake about it – when Greta Thunberg arrives in this country, the Oval Office Blowhard will heap scorn, derision, and personal insults on her simply for defying the power of entrenched interests in the fossil fuel industry, and his morally bankrupt cult followers will cheer him on because he will frame his invective as salvos in another battlefront of the culture war against politically correct liberals. Never mind that she is a mere child. Never mind that what she has taken upon herself is simply bringing to everyone’s belated attention the scientific fact that our house is on fire and we have to do something about dousing the flames now, not stand around arguing about it as the fire engulfs us. For bearing that unwelcome news, they will heap abuse upon her, and not reflect for even a moment on what they are teaching the children of the world.
— Vita
Crosby, Stills, Nash & Young performed at Woodstock in 1969, but “Teach Your Children” was not in their set list even though Graham Nash had written the song earlier, while he was still part of the British group, The Hollies. Crosby, Stills, Nash & Young included the song on their 1970 album Déjà Vu. Here the San Francisco Community Music Center Children’s Chorus sings the song for Mr. Nash and attendees at a Climate One conference in 2013.
Right wing media has its knickers in a twist the past week over the findings by a Boston University theater history professor of some racist performances of “Jingle Bells” from the mid-nineteenth century through the early twentieth century. The professor, Kyna Hill, was researching the origins of the song and trying to settle whether it was written by James Lord Pierpont in Medford, Massachusetts, or in Savannah, Georgia. Ultimately the song’s point of origin remained unclear, but during the course of her research Professor Hill discovered that the first performance was in 1857 at a theater in Boston, and the white performers wore blackface.
Sleigh Ride in Winter, a painting by Rudolf Frentz the Elder (1831-1918).
Professor Hill never claimed that the song as it is performed today is racist, but that did not deter some right wing media outlets such as Breitbart News from attributing that and other claims to her in an effort to paint her as an advocate of political correctness run amok. Right wing media enjoys fanning the flames of anger among its adherents, and since anger is the fuel of authoritarians, the readers and consumers of Breitbart News and other such outlets are always ready to flame up from a slow burn to a white hot conflagration. If there are not enough true stories available to fan their outrage, then the right wing will have to invent some false stories. The trendy term for that is “fake news”.
All this anger over ginned up controversies surrounding Christmas has been going on for a century, ever since the industrialist Henry Ford began muttering vaguely anti-Semitic remarks about a “War on Christmas”, as the right wing has since dubbed it. Ford thought Jewish owners of department stores were engaged in a conspiracy to undermine the Christianity of Christmas, all while lining their pockets by turning it into a largely secular, mercantile holiday. Never mind that no one twisted the arms of white Christians to engage in an orgy of spending for Christmas. The important thing was to direct right wing anger at an Other as American society turned away from the Currier and Ives mid-nineteenth century vision of Christmas (the same time as the early performances of “Jingle Bells”) to a more cosmopolitan, polyglot vision brought by the waves of immigrants in the late nineteenth and early twentieth centuries.
In Henry Ford’s day, Jews could be openly cast as the Other. After World War II and the Holocaust, that was no longer acceptable, and vilification of the Other settled on Communists, or Reds. The latest target of right wing objectification of an ideological and cultural Other is political correctness, a movement that started in the 1980s and has at times veered into ludicrously priggish stifling of dissenting opinion and alternative behavior, making it easy for the right wing to get outraged about it. Some people mock the excesses of political correctness, while right wingers alternate between mockery and spitting rage. Since political correctness is neither a religion, like Judaism, nor an entire political system, like Communism, the casting of its adherents as the Other by the right wing does not follow the same strand of unalloyed hatred.
Viewed by the right wing, and by some in the rest of society, advocates of political correctness are sociological scolds who are bent on taking away every last bit of cultural heritage of white European culture in America. The Nanny State description sums up the right wing view of the political correctness movement. When a story like the “Jingle Bells” one comes along then, right wingers are primed to pounce on it and vent their anger by putting words into Professor Hill’s mouth, making her a cipher for opinions she never expressed. In the “War on Christmas”, the right wingers proclaim “you are either with us or against us”. As a reward for her scholarship, poor Professor Hill got caught up in the culture war and got set up and knocked down as the right wing’s straw woman of the moment.
― Vita
