Anxious Days

 

Editor’s note: This post has been delayed one day on account of dismally slow internet service, most likely caused by the service provider’s defective equipment. Thanks, Ajit Pai, Chairman of the FCC, for continuing to safeguard the interests of monopolistic corporations while disregarding those of ordinary citizens!

Waiting through an outbreak of severe weather can be nerve wracking if you’re one of the millions of Americans living in substandard housing. Related to withstanding severe weather events, substandard housing means no basement or a weak foundation, poorly engineered roofing, shoddy workmanship overall, bad drainage around the structure, easily shattered windows, and any number of other problems large and small generally not present in the well built housing of the upper classes. Should something bad happen to a substandard structure due to severe weather, the people living there often do not have the resources to recover from it.


Severe weather affects everyone, rich and poor, but what is usually overlooked is how the poor disproportionately suffer the adverse effects of it both coming and going. To know that should a tornado, a hurricane, a derecho, a hailstorm, ice storm, or flood deal even a glancing blow to the place you live causes many anxious days, first in watching the weather forecast and then during the day or days of the event. There’s personal safety, of course, and the possibility of unaffordable emergency medical attention, and then the possibility of damage to the structure and the unaffordability of repairs, if it is repairable. The last thing any person living in a structure without a safe, reinforced room or basement wants to hear is the freight train roar of an approaching tornado, and to have children to protect must make even imagining such a scenario unbearable.

Winslow Homer - Hurricane, Bahamas
Hurricane, Bahamas, an 1898 painting by Winslow Homer (1836-1910).

All things are relative, and while comparatively few people in the United States have to exist in notoriously unsafe conditions like those in a Brazilian favela, there are still far too many in this rich country who live a hair’s breadth away from personal and financial disaster, a ruin which can befall them in a few unfortunate moments with the caprice of bad weather. As severe weather outbreaks become more frequent and as the population continues to increase, the possibilities for deaths, injuries, and property damage will also increase, all of which burden poor people more than others (yes, even death, because of the costs to survivors).

In the 1978 BBC television production of dramatist Dennis Potter’s Pennies from Heaven, Bob Hoskins as sheet music salesman Arthur Parker encounters a busker called The Accordion Man, played by Kenneth Colley, who in return for Arthur treating him to a meal treats Arthur to a rendition of the song “Pennies from Heaven” (lip synched to a 1937 recording by Arthur Tracy).

Insurance companies’ business model currently has them paying out after disaster strikes (contesting the payout all the way, and digging in their heels where they can), while offering little incentive for builders and developers to proof structures against disaster. Eventually, as expenses incurred by natural disasters mount to insupportable levels, insurance companies will have to come around to a more preventive strategy of offering lower premiums for stronger structures, something easier for them and builders and developers to cooperate on for wealthier homeowners. Where government can step in to protect poor people is to enforce insurance policy standards for their housing, rather than continuing to allow the corruption and slapdash oversight which currently riddles the market. Meantime, as always you’re on your own out there, particularly if you’re not rich, and you have to look out for yourself to stay safe. Good luck.
— Izzy

 

Her Name Is Alexandria Ocasio-Cortez

 

The headlines in the corporate media after the Democratic primary victory of Alexandria Ocasio-Cortez in New York’s 14th congressional district on June 26 often omitted her name in favor of touting the loss by her opponent, establishment Democrat Joseph Crowley, whom the corporate media did name. Brushing aside the intentional or unintentional slight of the old boys’ club in the corporate media and Democratic party establishment, the victory of Ms. Ocasio-Cortez in the 14th district in New York, a district encompassing the eastern Bronx and part of the Queens boroughs of New York City, was a major step forward for the Democratic Socialists of America (DSA), of which she is a member.

ALMA and a Starry Night
A panoramic view of the antennas of the Atacama Large Millimeter/submillimeter Array (ALMA) on the Chajnantor Plateau in the Chilean Andes against a starry night sky. The Moon and the Milky Way are visible across the center of the sky. Photo by Babak Tafreshi. The Democratic Party establishment keeps looking for new stars to lead it, ignoring the new leaders emerging from the grass roots and pushing them aside.

 

Fox News blowhard Sean Hannity posted the following list on his television show of the points in Ms. Ocasio-Cortez’s platform, no doubt with the idea of horrifying his viewers with her plan for destroying America, if not all of western civilization:

  • Medicare for all
  • Housing as a human right
  • A federal jobs guarantee
  • Gun control / Assault weapons ban
  • Criminal justice reform / End private prisons
  • Immigration justice / Abolish Immigration and Customs Enforcement (ICE)
  • Solidarity with Puerto Rico
  • Mobilizing against climate change
  • Clean campaign finance
  • Higher education for all
  • Women’s rights
  • Support LGBTQIA+
  • Support seniors
  • Curb Wall Street gambling / Restore Glass Steagall

Actually, that all sounds pretty good! Thanks, Mr. Hannity! With that agenda, it’s no wonder Alexandria Ocasio-Cortez and the DSA are worrying not only the retrograde part of the electorate represented by Sean Hannity, but the Democratic Party establishment lately represented by Joseph Crowley. Let’s look forward to that agenda catching on with voters and being pushed by them across the country in areas beyond the Democratic Party stronghold of New York’s 14th congressional district.
— Ed.



The ending of Ron Fricke’s 1992 film Baraka, with music by Michael Stearns.