Tag: Moon

It’s the Journey That Matters

 

“We set sail on this new sea because there is new knowledge to be gained, and new rights to be won, and they must be won and used for the progress of all people.”
— from President John F. Kennedy’s “Race for Space” speech delivered before students and faculty of Rice University in Houston, Texas, on September 12, 1962.

 

Yesterday was the 50th anniversary of the walk on the moon by Apollo 11 astronauts Neil Armstrong and Buzz Aldrin, an event witnessed on television by people around the world. The achievement after a decade of hard work and dedication by NASA personnel was enormous, of course, and as a prestigious accomplishment in science and engineering it has not been topped in the 50 years since July 20, 1969.

 

The feature that stands out after a half century is how little the actual landings on the moon, by Apollo 11 and by subsequent missions, has mattered in the lives of people on Earth. It was all the technological and scientific discoveries and advancements made along the way to landing astronauts on the moon which have made the most impact on the lives of many people. Giving astronauts prominence before the public and making them integral to the Apollo program garnered public support while increasing the expense and difficulty of the missions. Having the Apollo astronauts bound around the surface of the moon for a few hours and gather up some rocks made a comparatively small impact on the wealth of scientific and technical knowledge NASA reaped from the program, while keeping up public interest and support.

NASA Earthrise AS08-14-2383 Apollo 8 1968-12-24
“Earthrise”, a photograph taken by astronaut Bill Anders aboard Apollo 8 on December 24, 1968.

Of all the insights common people gained from the Apollo program, perhaps none made a greater impression overall than the famous “Earthrise” photograph taken by Apollo 8 astronaut Bill Anders on December 24, 1968. In the foreground is what astronaut Buzz Aldrin would seven months later call the “magnificent desolation” of the moon, and viewed from a distance of about 240,000 miles, in a perspective never before seen by anyone on Earth, is the partially sunlit Earth, our home, appearing fragile and jewel-like in the black emptiness of space.

That picture and the emotions it stirred gave impetus and urgency to the environmental movement, and before the end of 1970 people around the world recognized the first Earth Day and in the United States the Environmental Protection Agency began operations. To strive for a decade to land astronauts on the moon, increasing knowledge and spurring progress all along the way, and then to have those astronauts turn around and look back toward the earth, sharing that view with everyone, that was perhaps the greatest legacy of the Apollo space program.
— Techly


The opening sequence of the 1982 meditative documentary Koyaanisqatsi depicts the Holy Ghosts portion of the Great Gallery pictograph in Horseshoe Canyon in Utah, followed by the liftoff of Apollo 11 from the Kennedy Space Center in Florida on July 16, 1969. Godfrey Reggio directed the film, Ron Fricke was the cinematographer, and Philip Glass wrote the music. The title comes from the Hopi language and the film makes oblique and direct references to Hopi prophecies, or warnings; and while the Great Gallery pictograph did not originate with the Hopi, they believe it and other pictographs in the Four Corners region are the work of their ancestors and they hold them sacred.

 

Progress , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Her Name Is Alexandria Ocasio-Cortez

 

The headlines in the corporate media after the Democratic primary victory of Alexandria Ocasio-Cortez in New York’s 14th congressional district on June 26 often omitted her name in favor of touting the loss by her opponent, establishment Democrat Joseph Crowley, whom the corporate media did name. Brushing aside the intentional or unintentional slight of the old boys’ club in the corporate media and Democratic party establishment, the victory of Ms. Ocasio-Cortez in the 14th district in New York, a district encompassing the eastern Bronx and part of the Queens boroughs of New York City, was a major step forward for the Democratic Socialists of America (DSA), of which she is a member.

ALMA and a Starry Night
A panoramic view of the antennas of the Atacama Large Millimeter/submillimeter Array (ALMA) on the Chajnantor Plateau in the Chilean Andes against a starry night sky. The Moon and the Milky Way are visible across the center of the sky. Photo by Babak Tafreshi. The Democratic Party establishment keeps looking for new stars to lead it, ignoring the new leaders emerging from the grass roots and pushing them aside.

 

Fox News blowhard Sean Hannity posted the following list on his television show of the points in Ms. Ocasio-Cortez’s platform, no doubt with the idea of horrifying his viewers with her plan for destroying America, if not all of western civilization:

  • Medicare for all
  • Housing as a human right
  • A federal jobs guarantee
  • Gun control / Assault weapons ban
  • Criminal justice reform / End private prisons
  • Immigration justice / Abolish Immigration and Customs Enforcement (ICE)
  • Solidarity with Puerto Rico
  • Mobilizing against climate change
  • Clean campaign finance
  • Higher education for all
  • Women’s rights
  • Support LGBTQIA+
  • Support seniors
  • Curb Wall Street gambling / Restore Glass Steagall

Actually, that all sounds pretty good! Thanks, Mr. Hannity! With that agenda, it’s no wonder Alexandria Ocasio-Cortez and the DSA are worrying not only the retrograde part of the electorate represented by Sean Hannity, but the Democratic Party establishment lately represented by Joseph Crowley. Let’s look forward to that agenda catching on with voters and being pushed by them across the country in areas beyond the Democratic Party stronghold of New York’s 14th congressional district.
— Ed.



The ending of Ron Fricke’s 1992 film Baraka, with music by Michael Stearns.

 

Politics , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Seeing is Believing

 

“God does not play dice with the universe.”* ― Albert Einstein (1879-1955)

 

There are patterns throughout nature, from the rhythm of waves striking the shore, to the sand dune crests farther up the beach, to the leaves and flowers on plants and trees inland. Many of those patterns arise because of physical constraints operating through a medium, for instance the waves rise and fall regularly due to tidal influences from the Moon above and gravity from the Earth below, while sand grains in the dunes react to wind and water, and leaves and flowers allocate space for themselves in tune with the Sun and their plant neighbors.

 

Beauty of Coconut
The beauty of Coconut (Cocos nucifera) with its radiating pattern of fronds; photo by Krajaras.

 

An Italian mathematician of the 13th century named Leonardo Fibonacci, more commonly known just as Fibonacci, described natural patterns mathematically and he has since become well known for the Fibonacci sequence of numbers that add to each other infinitely, and for the Golden Ratio of 1.618, denoted in equations by the Greek letter Phi, which when employed in the Fibonacci sequence eventually yields Fibonacci spirals on a large scale. Less well known is that Fibonacci advocated the change from Roman numerals to Hindu-Arabic numerals in his 1202 book Liber Abaci, a book on calculations.

 

The shell of the nautilus is often cited incorrectly as a Fibonacci spiral. It is actually a logarithmic spiral. For whatever reason, the idea of Fibonacci spirals has taken hold popularly on the internet, to the point that some people appear eager to impose Fibonacci spirals on nature where patterns either hardly exist, or where they could be more accurately described with some other mathematical model. Perhaps the appeal lies in being able to ascribe patterns to a model proposed by one man, and saying “Fibonacci” has a more poetic feel than “logarithmic”. At any rate, there are many more patterns evident in nature than can be put down to chance, and that after all is the definition of a pattern.
Cottonwood one
Looking up along the deeply fissured bark of Cottonwoods (Populus deltoides) into the sunlit canopy of leaves; photo by Atiwis.

Baraka is a 1992 non-narrative film directed by Ron Fricke, with music by Michael Stearns. Fricke has described his film as a “guided meditation”. Baraka means “blessing” in a multitude of languages.

We seem to prefer patterns over chance, and order over chaos, and therefore we sometimes struggle to impose a pattern where perhaps none exists. It comforts us. It can even be a matter of belief. Some of us, maybe most of us, find it unsettling to contemplate a natural world and a universe where things happen randomly with no rhyme or reason. How can you set a schedule for yourself and your family in such a universe when you are unsure what might happen from one moment to the next? How can you plan your life, if you are so inclined? Depending on your belief in the reliability and predictability of the patterns you see in nature, you may be able to conduct your daily life with some confidence everything will go mostly as planned. With that in mind as you go about your everyday affairs, you may take time to notice how the patterns in the natural world around you guide your beliefs, whether or not you believe there is, in turn, someone or other guiding those patterns.
― Izzy

 

Nature , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

You Are What You Eat

 

The garden catalog dreambooks are starting to arrive in the mailboxes of home gardeners as 2016 ends and 2017 begins. Those gardeners who have ordered from online companies in the past and haven’t unsubscribed from their email list are receiving notices in their inboxes. Winter is the time to sit indoors in warmth and comfort and look over the seeds and plants on offer, either by scrolling through websites or paging through catalogs.

 

Some garden suppliers tout their seeds as being “not GE” or “non-GMO,” by which they mean the seeds are not Genetically Engineered or produced from Genetically Modified Organisms. Of course they’re not, since those kinds of seeds are available only to commercial growers, not to home gardeners. A different, though somewhat related, concern some gardeners have is whether the money they are spending on seeds will ultimately line the pockets of Monsanto and a few other large agribusinesses because those companies hold the patents on thousands of seed varieties.

PLANT A VICTORY GARDEN. OUR FOOD IS FIGHTING - NARA - 513818
World War II poster from the
Office for Emergency Management

Home gardeners can allay their concerns on both counts by doing a little research on their suppliers. The GMO concern is easier to dismiss than the one regarding the ultimate source of the seed. The best thing is to rely on suppliers of heirloom varieties or on open source suppliers who create and share new varieties without taking out a patent.

Deposit Seed Co Victory Garden Catalog 1944 - Flickr - USDAgov
Deposit Seed Co. Victory Garden Catalog 1944;
poster from the USDA National Agricultural Library

A much larger concern for everyone, gardeners and non-gardeners alike, is the prevalence of GMO foods in supermarkets and restaurants. Gardeners at least can sidestep that by growing as much of their own food as possible. Everyone else needs to watch what they buy in the stores, and that is where labels stating “not GE” or “non-GMO” are most helpful since agribusiness has successfully fought off attempts to label some foods as “GE” or “GMO.” Agribusiness executives apparently believe, not without reason, that as the general public becomes better informed about these products it might come to view such labels with the same alarm as a skull and crossbones. Not good for business.

 

To cite the most prominent example of GMO products, there are the Roundup Ready crops of corn, soybeans, and cotton, which today constitute upwards of 90% of the supply grown in the United States. No one eats cotton, though as Joseph Heller portrayed with the character of the amoral capitalist, Milo Minderbinder, in his marvelous satirical novel Catch-22, it is not too farfetched to think of someone like that trying to convince people to eat cotton if he senses a profit in it. For the corn and soybeans that we do eat, and in prodigious amounts if we eat a lot of processed foods, where they are ubiquitous, the federal government has mandated supposedly safe levels of Roundup. Frankenfoods, indeed.


Lastly, gardeners who care about the fertility of their soil as well as their own health and the health and vitality of the plants they grow for food would do well to avoid using herbicides in their home garden. No matter what, there will always be weeds wherever gardeners and farmers cultivate fertile conditions for favored plants. Scientists have not yet discovered any weeds growing in the sterility of the Moon.
– Izzy

 

Gardening , , , , , , , , , , , , , , , , , , , , , , , , , , ,