Fascists | The Magpie Gazette

The Empathy Generator

August 4, 2019 Vita Historia

Roger Ebert, the great movie critic who worked primarily in Chicago, Illinois, and over the course of his career garnered respect and influence internationally, believed movies were “like a machine that generates empathy”. By that he meant a well-made movie encourages viewers to lose themselves for a time and step into the shoes of others. There were more movies like that being made 50 years ago than there now, in the current era of comic book special effects franchises.

Stanley Kubrick - Chicago Theatre cph.3d02346

Stanley Kubrick took this photo in 1949 for LOOK magazine. Mr. Kubrick was a staff photographer for the magazine from 1947 to 1950, and he then went on to direct many great movies, becoming a model for other filmmakers of the New Hollywood. The Chicago Theatre was one of many movie palaces built around the country in the 1920s, and after renovations in the 1980s, it remains a popular venue for film exhibitions and live performances.

Mr. Ebert became the film critic for the Chicago Sun-Times newspaper in 1967, about the same time as the emergence of New Hollywood filmmaking, an era lasting roughly from 1965 to 1985 when Hollywood studios financed character driven films made by directors like Mike Nichols, Bob Rafelson, and Francis Ford Coppola, who came from backgrounds in theater, television, or film school. Filmmakers in Old Hollywood often came up through the ranks, and many of them were refugees from Europe, escaping the fascist regimes spreading throughout the continent in the 1920s, ’30s, and early ’40s.

Old Hollywood was vertically integrated, meaning the studios controlled production and distribution and held talent under long term contracts. All that started to fall away in the 1950s when the federal government forced the studios to divest themselves of most of their wholly owned distribution channels, which had behaved as a cartel, and as television poached audience share from the movie industry. Some star actors and directors cut themselves loose from the major studio system, forming ad hoc film companies which sought limited input from the big studios. Finally, in order to compete with television, studios more frequently rolled the dice on big budget spectaculars such as Ben-Hur or Cleopatra, and those high stakes gambles either saved financially unstable studios or sank them nearly to insolvency.

By the late 1960s, the movie studios primarily served as film financers and weren’t as heavily involved in production and distribution as they once were. Along with discarding the Hays Code of movie censorship, a relic of Old Hollywood, the changed paradigm of filmmaking allowed greater freedom and creative control for directors, actors, and writers. The result was the flowering of small to medium scale films that became the hallmark of the New Hollywood, films such as The Graduate and Bonnie and Clyde, both released in 1967, and continuing with other great films made for adult sensibilities through the 1970s.

Jack Nicholson had a breakout role as an alcoholic civil rights lawyer in the 1969 film Easy Rider, directed by Dennis Hopper, who also starred in the film along with co-writer Peter Fonda. In taking on multiple tasks in the making of Easy Rider, Mr. Hopper and Mr. Fonda were more typical of New Hollywood than they were of Old Hollywood, where vertical integration assigned discrete tasks to different individuals within the studio system, and auteurism was discouraged by studio bosses who were leery of the practice ever since Orson Welles made Citizen Kane in 1941.

Jack Nicholson was the actor who became the face of New Hollywood filmmaking, simply because he was in more hit movies than anyone else during that time. His face, voice, and acting style and choices personified the New Hollywood era. Starting with Easy Rider in 1969, Mr. Nicholson was in one successful movie nearly every year, and in some years more than one, through the 1970s and into the ’80s. He has of course been in many successful films since then, and what is remarkable in retrospect from today’s vantage point when big budget sequels and reboots of franchises are Hollywood’s major output is that he has never repeated himself nor acted in one of those kinds of movies.

Since the demise of New Hollywood filmmaking, Jack Nicholson has chosen to stay with character driven films, though the number available for his participation diminished over the years, as he related in a 1995 interview with Roger Ebert. Even Tim Burton’s 1989 film Batman, in which Mr. Nicholson played The Joker, can be seen as character driven despite its comic book origins and inclusion of special effects. It was the first film of its kind to take the source material seriously, and it was well-made by some exceptional talents.

In a later scene in Easy Rider, Jack Nicholson’s character, George Hanson, discusses the state of the country with Dennis Hopper’s character, Billy.

Unfortunately the endless variations on Batman in the 30 years since its release have grown wearisome. But the movie that started the push for a return to blockbuster filmmaking came out 14 years earlier, in 1975, when Steven Spielberg’s film Jaws appeared in theaters that summer and set box office records. Jaws was followed in the summer of 1977 by Star Wars, a film created and directed by George Lucas that started a media franchise which continues to this day. Those films, too, were well-made by exceptional talents. In the years since their release, however, those kind of films and their lesser cousins have increasingly crowded out the kind of smaller, character driven movies Jack Nicholson and the New Hollywood were known for, the kind Roger Ebert described as generators of empathy. In times when we are in need of empathy generators perhaps more than ever, we are largely left to project ourselves onto special effects beclouded superheroes.
— Vita

Entertainment Actors, Batman (1989 movie), Ben-Hur, Bob Rafelson, Bonnie and Clyde, Chicago, Chicago Sun-Times, Chicago Theatre, Citizen Kane, Cleopatra (movie), Comic Books, Dennis Hopper, Directors, Easy Rider, Europe, Fascists, Filmmakers, Francis Ford Coppola, George Lucas, Hays Code, Hollywood Studios, Illinois, Jack Nicholson, Jaws, LOOK Magazine, Mike Nichols, Movies, New Hollywood, Old Hollywood, Orson Welles, Peter Fonda, Roger Ebert, Stanley Kubrick, Star Wars, Steven Spielberg, Television, The Graduate, Tim Burton, Writers

Just Kidding

November 27, 2018 Vita Historia

Regardless of the outcome of today’s runoff election in Mississippi between incumbent Republican Senator Cindy Hyde-Smith and Democratic challenger Mike Espy, Senator Hyde-Smith will have exposed herself at the very least as an insensitive idiot through her recent remarks, and more likely as someone whose cossetted upbringing among conservative white people in Mississippi never gave her an idea how offensively her remarks would be received by those outside that bubble.

John C. Stennis takes his seat in the Mississippi House of Representatives in 1928, the same year he received his law degree from the University of Virginia. Between 1928, when Mr. Stennis started his career in government as a Democrat, and 1988, his last year as a senator from Mississippi, the major political parties realigned, with the major shift coming in reaction to Civil Rights legislation passed during the Lyndon Johnson presidential administration.

Senator Hyde-Smith has of course attacked those attacking her for her idiotic remarks regarding public hanging and vote suppression because that is what plays best these days among emboldened white supremacist fascists in the Make America Great Again (MAGA) crowd which constitutes her major constituency. Retractions and sincere apologies are signs of weakness to those people, who would call for her lynching if she ever showed any human decency. Instead she has claimed her words were twisted by the media and by her political foes, even though she can be seen speaking those very words on video. As for suppressing the votes of liberals, she says she was only kidding.

Ha-ha, Senator Hyde-Smith, you are very funny with your joking about Jim Crow vote suppression of liberals, by which of course everyone in the 37 percent black state of Mississippi knows you mean suppressing the votes of black folks. That stuff is indeed side-splittingly funny! And your “good old gal” remark about how you like someone so much that you’d be at the front row of a public hanging if he invited you, by which everyone in the state of Mississippi, where public lynching of black folks over 100 years from the Civil War to the Civil Rights era was a well-known occurrence, why that’s a knee-slapper, and goodness knows little ol’ you meant no harm by it, did you, Sugar? Bless your heart!

It is likely that hundreds of thousands of Mississippians will vote for Senator Hyde-Smith in the runoff election. Unless those voters were living under a rock, they had to have heard the Senator’s remarks or heard of them. They will vote for her anyway. For too many of them, most likely the MAGA fanatics among them, her recent remarks will be reason enough to vote for her. She is an awful person, and like the awful person currently occupying the Oval Office of the White House, she is a symptom of what’s wrong with the country, not the disease. The disease is carried by all those voters in Mississippi and elsewhere who are laughing with her, rather than being appalled not just by her remarks, but by the mindset that brought them out of her mouth in the first place, and then made her turn on everyone but herself to quiet the uproar over them. Look at your friends, neighbors, and family for those carrying the disease of not taking cruelty seriously, and laughing at the debasement of the Other.
— Vita

Elliot Richardson talks with John Stennis

Secretary of Defense designate Elliot Richardson, right, talks with Senator John C. Stennis, D-Miss., chairman of the Senate Armed Services Committee, prior to his nomination hearing at the U.S. Capitol on January 10, 1973. By the 1970s, Republican conversion of conservative southern Democrats was nearly complete. Mr. Stennis would retain his Democratic Party affiliation through the remainder of his career, though in name only since he was aligned ideologically with conservative Republicans. In 1982, he was the last Democratic senator elected from Mississippi.

News American Civil War, Cindy Hyde-Smith, Civil Rights, Conservatives, Democrats, Eliot Richardson, Fascists, John C. Stennis, Liberals, Lyndon Johnson, Make America Great Again (MAGA), Media, Mike Espy, Mississippi, Oval Office, Republicans, Senate Armed Services Committee, The Other, United States Capitol, University of Virginia, White House, White Supremacists

The Old Guard Problem

November 23, 2018 Editor

“And can you, can you imagine fifty people a day, I said fifty people a day walking in singin’ a bar of Alice’s Restaurant and walking out. And friends they may think it’s a movement.” — Arlo Guthrie, from his song “Alice’s Restaurant Massacree”.

Progressive Democrats like Alexandria Ocasio-Cortez, newly elected Representative from New York’s 14th Congressional District, have their work cut out for them even before they take their seats in January as they battle the Old Guard within their own party. The Old Guard of the Democratic Party, led by Nancy Pelosi in the House and Chuck Schumer in the Senate, are working to co-opt, minimize, and undermine the incoming progressives so that business as usual shall continue after January. The Old Guard appears to have little interest in understanding that business as usual by corporate Democrats such as themselves is what brought this country to the precipice of authoritarian rule by the current president and his accomplices in Congress and the judiciary over the past two years.

First Capitol telephone operator still on job. Washington, D.C., July 30. When Miss Harriot Daley was appointed telephone operator at the United States Capitol in 1898 there were only 51 LCCN2016872097

Harriot Daley, standing, was appointed telephone operator at the United States Capitol in Washington, D.C., in 1898 when there were only 51 stations on the switchboard. On July 30, 1937, when this photo was taken, Miss Daley was Chief Operator and supervised a staff of 37 operators as they answered calls from 1200 extensions. Library of Congress photo by Harris & Ewing.

Corporate Democrats are a better option for leading this country than fascist Republicans in the same way that a kick in the behind is marginally better than a kick in the groin, but that’s hardly a hearty endorsement of their policies and practices. That is not a positive view of the future for young people starting out and raising children of their own into the world. There has to be a better option still, one that is outside the stale choice between the lesser of two evils, both of them more interested in serving corporate interests than those of the people at large. The Old Guard of the Democratic Party will continue trying to scare progressives into backing down from real change by claiming they are splintering the Party and allowing the minority party, the Republicans, to win votes in the House of Representatives and pass their agenda.

There’s truth in their argument, too, particularly since Republicans historically are more likely than Democrats to maintain lock step with their colleagues in the face of opposition and subsume their differences, but it doesn’t necessarily follow that progressives should move to the center and join ranks with the corporate Democrats instead of the other way around. What’s needed to convince corporate Democrats to drop Old Guard methods and beliefs, besides not re-electing them time after time, is pressure from ordinary citizens that builds to a point overpowering their allegiance to corporate money.

Phone calls. E-mails. Snail mails. Attendance and vocal presence at town halls. Boycotts of corporations making large political donations. Taking to the streets. Voting in local elections for school board and county supervisor and city council seats. Knocking on doors to get out the vote and helping people register to vote. Speaking up when someone among your friends, family, or neighbors expresses hateful ideas counter to our democratic principles. Refusal to participate in the national security state by calling for the repeal of the PATRIOT Act and the National Defense Authorization Act (NDAA) and condemning the persecution of whistleblowers like Chelsea Manning, Edward Snowden, and John Kiriakou.

The presentation in Frank Capra’s 1939 movie Mr. Smith Goes to Washington probably strikes most people today as corny, but that should not overshadow the principles of good government and citizen participation it espouses and their relevancy today.

Starting and supporting statewide initiatives such as California’s Proposition 11 in 2008 which took legislative district reapportionment away from partisan politicians and gave that power to the people. There are many more ways to convince business as usual Democrats in Congress and across the nation that the future for them and us lies in their scooting over to the left, in the direction this country came from before it swung too far right in the last generation, rather than stubbornly obstructing progressives in order to better serve their corporate masters. Getting up off the couch and making phone calls and doing the other things is the only way to make it happen.
— Ed.

Politics "Alice's Restaurant Massacree", Alexandria Ocasio-Cortez, Arlo Guthrie, California, Chelsea Manning, Chuck Schumer, City Councilors, Congress, Corporations, County Supervisors, Democratic Party, Democrats, E-mails, Edward Snowden, Fascists, Frank Capra, Harriot Daley, House of Representatives, John Kiriakou, Judiciary, Library of Congress, Mr. Smith Goes to Washington, Nancy Pelosi, National Defense Authorization Act (NDAA), New York, Patriot Act, Postal Mail, President, Progressives, Proposition 11, Republican Party, Republicans, School Boards, Senate, Telephone Calls, Town Halls, United States Capitol, Voter Registration, Voting, Washington D.C.