Marking Time

 

   Alice sighed wearily. “I think you might do something better with the time,” she said, “than wasting it in asking riddles that have no answers.”
   “If you knew Time as well as I do,” said the Hatter, “you wouldn’t talk about wasting it. It’s him.”
   “I don’t know what you mean,” said Alice.
   “Of course you don’t!” the Hatter said, tossing his head contemptuously. “I dare say you never even spoke to Time!”
   “Perhaps not,” Alice cautiously replied; “but I know I have to beat time when I learn music.”
   “Ah! That accounts for it,” said the Hatter. “He won’t stand beating. Now, if you only kept on good terms with him, he’d do almost anything you liked with the clock.”

— from Alice’s Adventures in Wonderland, by Lewis Carroll.

 

Did the new decade begin a few days ago, or more than a year ago? Sticklers for numerical accuracy would say the 2020s began on January 1, 2021. But for most people, referring to the decade in the course of everyday conversation, it makes more sense to speak of January 1, 2020, through December 31, 2029, as the 2020s. It’s awkward to claim the year 2020 is not part of the 2020s, while the year 2030 is the last year of the decade. This enumeration is technically correct, but it requires a tedious explanation every time it’s dragged out and it smacks of pedantry.


In the Christian system of marking time since the birth of Christ there was no Year Zero. Unlike the rest of us, whose lives begin at 0 and progress through the days, weeks, and months up to our first birthday, when we are said to be a one-year-old, by the accounting of two monks in the Middle Ages Christ started His time on Earth at the beginning of the Year One, Anno Domini (in the Year of the Lord). He was presumably nonetheless an infant for a time, and did not spring forth fully formed as a toddler, at least according to artists and theologians over the past two thousand years Christ was an infant first.

Teaparty
Illustration by John Tenniel (1820-1914) for the 1865 edition of Lewis Carroll’s Alice’s Adventures in Wonderland. At the table for the Tea Party are Alice, the March Hare, the Dormouse, and the Mad Hatter.

There has been confusion ever since in our decimal system of counting the years as units of ten, one hundred, and one thousand years tick over. Recall the most recent change of century and the confusion over whether the 21st century began on January 1, 2000, or January 1, 2001. Without a Year Zero to fall back on two thousand years ago, the correct year to anoint as the beginning of the New Millennium was 2001. Looking back from the Year 2000 would, despite it’s name, take one back only one thousand nine hundred and ninety-nine years. It’s as if Time were a bank teller whose true accounting for a check’s amount came from reading the numbers spelled out in alphabetical characters, and not the Arabic numerals in the box to the right. And that supposes there are still a significant number of people around in this New Millennium who use and understand written checks.

So yes, there are discrepancies. Not that they matter much to most people: it’s not as if there is real money at stake from missing appointments and having communication failures. Those dates and times have a finer point to them than the decades that roll by, as Alice knew when she disputed with the Mad Hatter the necessity of broad markings of time on a watch. A watch is for marking seconds, minutes, and hours, and a calendar is for marking days, weeks, and months. Nature, however, continues to mark the time for all on the broadest possible scale and, for those who pay attention, on the smallest scale imaginable.

David Crosby, Stephen Stills, and Graham Nash perform “Wasted on the Way”, a song written by Mr. Nash.

Stroll through Nature and you will note that Time is subjective, and different creatures and plants exist on different scales. A hummingbird lives at a pace unimaginably fast to us, but of course the hummingbird is adjusted to its own timescale. To a hummingbird, we must appear to be moving in slow motion. The opposite may be the case for a giant redwood tree, if it can be said to have perceptions. To the redwood, we are perhaps like hummingbirds. We lose sight of Nature’s timekeeping, and instead give undue importance to our own arbitrary social constructs for timekeeping. The middle ground from seconds to years suits us well on the timescale of our lifespans, which are not as short as that of hummingbirds nor as long as that of giant redwood trees. Take the time to stroll through Nature, and leave the watch behind.
— Izzy

 

Respectfully Yours

 

“Where words fail, music speaks.” — Hans Christian Andersen

 

Divan-of-Hafiz-Binding-Gul-u-Bulbul
Binding of a Divan of Hafiz, from April 5, 1842 in Iran. Original lacquer “gul-u-bulbul” (flower-nightingale) motif with gold, red, and black decorative frame. The metaphorical relationship of the nightingale (active lover) and flower (passive beloved), frequently used in Persian poetry, especially by Hafiz, serves as an appropriate theme for the binding covering this manuscript.

The French musician and composer Camille Saint-Saëns wrote incidental music in 1901 for a play called Parysatis, based on a novel by the French archaeologist and explorer, Jane Dieulafoy. The play, about an ancient Persian queen and produced in 1902 for a summer festival in the southern French town of Béziers, has not stood the test of time as well as Saint-Saëns’s music.

 

“Le Rossignol et La Rose” is a musical piece for wordless voice in Act II. The title in English is “The Nightingale and The Rose”, and refers to Persian symbolism around love. There is a peculiar 1888 short story by Oscar Wilde titled “The Nightingale and The Rose” which is unrelated to music for the play Parysatis or to the play itself. Wilde wrote his story ostensibly for children, but its deeper themes are really beyond their understanding. Reading Wilde’s story is nonetheless instructive about love because of how he frames respect as an integral part of love.


Natalie Dessay sings “Le Rossignol et La Rose”, by Camille Saint-Saëns. Is the song sorrowful? Joyful? That probably depends on the mood of the listener. The pacing lends an air of melancholic contemplation. The song contains within it, in other words, the varied emotions of love itself. Incidentally, Ms. Dessay has sung the lead role in Igor Stravinsky’s 1914 opera Le Rossignol (The Nightingale), notably for a trippy French film adaptation in 2005 which aired on American public television. Stravinsky based his opera on an 1843 story by Hans Christian Andersen.

Without respect there is little in love beyond shallow self-interest and the words spoken sound out hollowly, like an echo. Giving respect to another is as essential as giving love, indeed is at the heart of love. Where there is little or no respect, there is little or no love, no matter the words uttered. Respect is demonstrated, is shown to another as well as to oneself. Understanding and remembering this is crucial if love is to deepen and widen beyond the initial merging of two souls, where the two converge to form a third part all its own, its own world composed of and known only to the two lovers, like two circles partially overlapping. With respect comes trust, and with trust comes the will to acknowledge fears and the courage to not run away. And then there is music, bringing love ’round full circle by singing directly to the heart and soothing fears.
— Vita   “Music fills the infinite between two souls.” — Rabindranath Tagore


“Southern Cross” a 1982 song by David Crosby, Stephen Stills, and Graham Nash.

 

Do Your Own Thing

 

“You, who are on the road,
Must have a code
That you can live by.
And so become yourself
Because the past is just a goodbye.”
— Opening lyrics of “Teach Your Children”, written by Graham Nash.

Organizers of Woodstock 50 have canceled the event scheduled for this weekend that was intended to commemorate the 1969 concert on a scale commensurate with the original. There were mounting difficulties in putting together the 2019 concert, and at the end of July the organizers threw in the towel. Instead there are small scale events scheduled for the weekend that have been organized by the Bethel Woods Center for the Arts near the site of the 1969 concert, and there are also some informal events happening at the original site.


It’s just as well Woodstock 50 fell through the cracks, because these continuing reboots of past successes have become tiresome and shallow scavenging for meaning grafted Frankenstein-like onto the present, as if clinging to the past would revive only the good times. For the promoters of such events and movies and television shows like them, there is profit to be made borrowing on memories. And since people continue paying for these popular culture revivals, there is no reason for promoters and Hollywood producers to stop digging up old things, slapping a modern sheen on them, and charging admission to the public for the dubious enjoyment of reliving the old days.

Guns are not healthy for children and other living things, March For Our Lives, Washington DC
A protester holds up a sign at the March for Our Lives demonstration in Washington, D.C., in March 2018. Photo by Flickr user Lorie Shaull.

Let the past be past. “Why seek ye the living among the dead?” (Luke 24:5). Let the past be its own thing. For the important things that face everyone today and in the future, it appears children are taking the lead, while adults around them are either in denial or slogging along, many of them disheartened and looking in the wrong directions for answers. In the last couple of years, youngsters have marched in protest against legislators who drag their feet in addressing gun violence, and have struck from school and marched in protest against legislators’ unwillingness to effectively tackle climate change.

Swedish teenage climate activist Greta Thunberg is now on a sailboat crossing the Atlantic Ocean in order to attend the United Nations Climate Change Summit in New York City next month. She started striking from her school in Sweden last August, founding the Youth Strike for Climate movement, and she has attracted so much attention to the cause since then that earlier this year three Norwegian parliament members nominated her for the 2019 Nobel Peace Prize. If she wins, she would join 2014 winner Malala Yousafzai of Pakistan as the second teenage activist to win the Prize.


Greta Thunberg 4
Greta Thunberg with her sign outside the Swedish parliament building in August 2018. The sign reads “School Strike for Climate”. Photo by Anders Hellberg.

More importantly, she will gain international validation for the cause, an essential step in repudiating and ultimately sidelining the hateful antagonism of skeevy jackasses such as British businessman Arron Banks, who tweeted to Ms. Thunberg as she set off on her Atlantic cruise “Freak yachting accidents do happen in August.” He later claimed his vile suggestion was “a joke.” Ha ha. It was a joke like the 2016 campaign trail hint from the skeevy jackass now occupying the Oval Office was a joke when he floated the idea of “Second Amendment people” assassinating his Democratic Party rival. Ha ha.

Make no mistake about it – when Greta Thunberg arrives in this country, the Oval Office Blowhard will heap scorn, derision, and personal insults on her simply for defying the power of entrenched interests in the fossil fuel industry, and his morally bankrupt cult followers will cheer him on because he will frame his invective as salvos in another battlefront of the culture war against politically correct liberals. Never mind that she is a mere child. Never mind that what she has taken upon herself is simply bringing to everyone’s belated attention the scientific fact that our house is on fire and we have to do something about dousing the flames now, not stand around arguing about it as the fire engulfs us. For bearing that unwelcome news, they will heap abuse upon her, and not reflect for even a moment on what they are teaching the children of the world.
— Vita


Crosby, Stills, Nash & Young performed at Woodstock in 1969, but “Teach Your Children” was not in their set list even though Graham Nash had written the song earlier, while he was still part of the British group, The Hollies. Crosby, Stills, Nash & Young included the song on their 1970 album Déjà Vu. Here the San Francisco Community Music Center Children’s Chorus sings the song for Mr. Nash and attendees at a Climate One conference in 2013.