A white-crowned sparrow in Sacramento, California, in January 2017. Photo by ADJ82.
Researchers studying white-crowned sparrows (Zonotrichia leucophrys) in the San Francisco area this past spring during California’s coronavirus shutdown found that the males had changed their song, presumably because it was easier for them to make themselves heard on account of the drop in human-caused noise. The birds no longer had to trill high and loud to pierce through the cacophony. The researchers noted that the calmer, quieter environment allowed the males to use a wider range of sounds in their calls, increasing their chances of mating success since the females find the wider range, with more low frequency notes, more appealing. The white-crowned sparrows in the Bay Area benefited from the reduction in human activity, and there have been similar stories from around the world this past year of animals enjoying a world less in conflict with people.
Eaux Claires is a social activist group in Eau Claire, Wisconsin, that also hosts an annual music festival. This video of the singer, Feist, covering the Yusuf/Cat Stevens song “Trouble”, was filmed on November 1, 2020, as part of the group’s efforts to encourage people – particularly young people – to vote in the November 3rd election.
The political events of the past week in the United States herald a calmer, quieter environment to come, one in which everyone can be heard, not just those who tweet the loudest in ALL CAPS on social media, sowing hatred and tumult. Through the majority of their votes, Americans elected to step back from the brink of authoritarianism. While a disturbing number of their fellow citizens voted their support for climate destruction, white supremacy, and a sneering contempt for the rights of women and minorities, thankfully a greater number turned out to vote in favor of progress down the road of reason and empathy, not continuing on a death march. Those voters, many of them young people voting for the first time, have given all of us another chance to sing a new song.
“Oh Very Young”, a 1974 song by Yusuf/Cat Stevens. The haunting backup vocal was performed by Suzanne Lynch.
Yusuf Islam/Cat Stevens performs “Oh Very Young” in December 2008.
— Izzy
Song of the white-crowned sparrow as recorded by Jonathan Jongsma for the Xeno-canto Foundation in April 2012 in the Palo Alto Baylands Nature Preserve, California.
The recent controversy over Sarah Palin, Ted Nugent, and Kid Rock goofing in front of a portrait of Hillary Clinton at the White House tells us nothing new really about who these people are. Their immature actions were about what we would expect from a tour group of seventh-graders left unsupervised for a time, and were mild compared to the antics of two gay activists at a White House event in 2012 who flipped the bird at Ronald Reagan’s portrait. Joy Behar on The View accurately characterized the Palin trio as “sore winners”.
Behar’s phrase reveals the authoritarian character of many Trump supporters, and it tells us something about why they would goof in front of the portrait of a defeated political rival rather than merely tell us that they are childishly vindictive. The term “authoritarian” as used here refers to a personality type instead of only a political inclination. More authoritarian personalities are typically drawn to right-wing politics than to the left, but nonetheless there are authoritarians of the left. The Canadian psychologist Bob Altemeyer has studied and written about the authoritarian personality type, and developed a short test for the type, though he humorously suggests in his notes on the test that you not take the result too much to heart. His book on the subject, The Authoritarians, is available as a free download, and is well worth reading.
We are accustomed to hearing about sore losers, and certainly the Clinton camp has come across as such with their eagerness to cast blame for their election loss on everything and everyone but their own miscalculations and hubris, but Behar’s clever turn of phrase shines an unusual light on the election winners. What do they have to be sore about? Because an examination of the authoritarian character shows they are perpetually aggrieved people who feel put upon by the larger society no matter how powerful and numerous they are within it. An authoritarian always needs a scapegoat, The Other, a straw man (or in the case of the Hillary Clinton portrait, a straw woman), to push against and to externalize their hostility and anger. Anger makes up a large part of the authoritarian character, and for their own well-being they need to turn it outward.
Hitler in Paris, 23 June 1940; photo from the Heinrich Hoffman Collection. Albert Speer, architect, on the left, and Arno Breker, sculptor, on the right.
So we have a trio of winners who take time from their White House tour to gloat over the portrait of a loser; we have a president who continually dredges up his victory over that loser in a childish attempt to validate himself; we have the Republican chairman of the House Oversight and Government Reform Committee, who had been licking his chops in anticipation of a Clinton presidency because of the joy and headlines it would have given him in continuously investigating her, and who now appears to have been so deflated by her loss and the no-win prospect for him of investigating the new president that it could have affected his decision to not run for re-election in 2018.
Why then with all this winning are they not happy? True winners, after all, can be happy and generous in their victory. Because as authoritarians they cannot be happy for themselves with winning, but they can be happy with beating someone they have made into The Other. They will prop up a straw man or woman again and again in order to beat that straw person down again and again; they will repeatedly, with hollow enjoyment, revive the memory of The Other’s loss; and they will be disappointed and without purpose when they are deprived of the opportunity to badger a scapegoat and to build up their own esteem at the scapegoat’s expense.
Cheering crowds greet British troops in Paris on Liberation Day, 26 August 1944; photo from the British Imperial War Museum.
Such are the actions of the authoritarians on the right in Washington, D.C., while over on the Left Coast, in Berkeley, California, the authoritarians on the left are not helping the cause of an open society, but are instead hurting it when they make martyrs of right-wing opportunists Milo Yiannopoulos and Ann Coulter. The old saying “sunshine is the best disinfectant” is beyond their ken. They don’t trust others to make their own adult decisions about what to hear and believe. What is within their ken is that they fervently believe they know what’s best for everybody. That they enlist the words and ideas of Martin Luther King, Jr., to validate their tactics is perverse. That the By Any Means Necessary (BAMN) and Antifa groups are authoritarian in nature is without doubt. They are certainly not sore winners, and don’t fit the profile of sore losers. They are nothing other than soreheads.
― Ed.