Monty Python’s Life of Brian

The urge to leave a personal mark on the relatively permanent structures around us is strong enough to prompt some people to break laws against vandalism and trespassing and paint, mark, or scratch into public view an announcement of their existence. Is it graffiti, street art, or defacement? We can see these markings on buildings that are a few thousand years old, but beyond that, as a recently published scientific paper asserts, everything gets ground up, mixed together, compressed, and dispersed, making it hard to determine anything conclusively about human civilization and its discontents as expressed in graffiti. Caves have preserved paintings on their walls for tens of thousands of years old, but that artwork tells a very different story of humanity before what we consider civilization. Sometimes graffiti addresses social and political issues, though more often the concerns of the artists are more mundane. It's overstating to call a scatological scribbler a street artist, or even a graffiti marker. It doesn't take much imagination or skill to scrawl the image of a phallus across a stone wall, whether it was done two thousand years ago or yesterday. Similarly with personal insults, the boorish nature of which have not changed at all over the centuries. The best graffiti is illustrative of a unique frame of mind, an altogether personal view of the world. The same definition can apply to art. In Kansas City, Missouri, a 2008 rendition of the graffiti made famous everywhere during World War II by American servicemen. Photo by Marshall Astor. John Cleese as the Centurion and Graham Chapman as Brian in the 1979 satirical film Monty Python's Life of Brian. Tagging, which is marking or painting of initials, nicknames, or symbols, and is often used to mark territory, is not a particularly enjoyable or meaningful form of graffiti to anyone but the marker and others who need to interpret the signs. They rarely exhibit any wit, and are usually straightforward signs meant for specific groups instead of the larger society, hence their often cryptic appearance to those not in the know. The signs say, among other things, "Keep out", "This is our territory", or "I am here". The humorist Jean Shepherd, in a video essay about roadside features in New Jersey, speculated about the confusion of future archaeologists as they attempt to decipher the graffiti of our times, attaching to it perhaps more importance than it warrants. The entire television special is a treat, featuring Mr. Shepherd musing with philosophical delight about what constitutes art as he observes all the commercial kitsch he finds along a New Jersey highway. All our artifacts and graffiti will be gone in a millennium, of course, crumbled into disconnected bits, but for now they say "I am here", and "We were here". — Vita

Monty Python’s Life of Brian

We Were Here