Respectfully Yours

 

“Where words fail, music speaks.” — Hans Christian Andersen

 

Divan-of-Hafiz-Binding-Gul-u-Bulbul
Binding of a Divan of Hafiz, from April 5, 1842 in Iran. Original lacquer “gul-u-bulbul” (flower-nightingale) motif with gold, red, and black decorative frame. The metaphorical relationship of the nightingale (active lover) and flower (passive beloved), frequently used in Persian poetry, especially by Hafiz, serves as an appropriate theme for the binding covering this manuscript.

The French musician and composer Camille Saint-Saëns wrote incidental music in 1901 for a play called Parysatis, based on a novel by the French archaeologist and explorer, Jane Dieulafoy. The play, about an ancient Persian queen and produced in 1902 for a summer festival in the southern French town of Béziers, has not stood the test of time as well as Saint-Saëns’s music.

 

“Le Rossignol et La Rose” is a musical piece for wordless voice in Act II. The title in English is “The Nightingale and The Rose”, and refers to Persian symbolism around love. There is a peculiar 1888 short story by Oscar Wilde titled “The Nightingale and The Rose” which is unrelated to music for the play Parysatis or to the play itself. Wilde wrote his story ostensibly for children, but its deeper themes are really beyond their understanding. Reading Wilde’s story is nonetheless instructive about love because of how he frames respect as an integral part of love.


Natalie Dessay sings “Le Rossignol et La Rose”, by Camille Saint-Saëns. Is the song sorrowful? Joyful? That probably depends on the mood of the listener. The pacing lends an air of melancholic contemplation. The song contains within it, in other words, the varied emotions of love itself. Incidentally, Ms. Dessay has sung the lead role in Igor Stravinsky’s 1914 opera Le Rossignol (The Nightingale), notably for a trippy French film adaptation in 2005 which aired on American public television. Stravinsky based his opera on an 1843 story by Hans Christian Andersen.

Without respect there is little in love beyond shallow self-interest and the words spoken sound out hollowly, like an echo. Giving respect to another is as essential as giving love, indeed is at the heart of love. Where there is little or no respect, there is little or no love, no matter the words uttered. Respect is demonstrated, is shown to another as well as to oneself. Understanding and remembering this is crucial if love is to deepen and widen beyond the initial merging of two souls, where the two converge to form a third part all its own, its own world composed of and known only to the two lovers, like two circles partially overlapping. With respect comes trust, and with trust comes the will to acknowledge fears and the courage to not run away. And then there is music, bringing love ’round full circle by singing directly to the heart and soothing fears.
— Vita   “Music fills the infinite between two souls.” — Rabindranath Tagore


“Southern Cross” a 1982 song by David Crosby, Stephen Stills, and Graham Nash.

 

Afflicting the Comfortable

 

Harvard Law Professor Alan Dershowitz is the latest public figure to claim people who disagree with him and object to policies he supports are afflicting him with public shaming. In his case, the people afflicting him are his wealthy neighbors at the summer retreat of Martha’s Vineyard, who have apparently been giving him the cold shoulder. That may well be, but it’s ludicrous that in an asinine bid for sympathy, Mr. Dershowitz has whined about his ostracism and compared it to the McCarthyism tactics of the 1950s. Mr. Dershowitz’s reaction proves that you can’t shame the shameless.

 

While Alan Dershowitz is not employed by the current administration, he has not been shy about making the rounds of the talking heads television shows, where he has spoken as an advocate for the administration in many respects. He is, therefore, fair game, and he should stop his whining before he makes an even bigger fool of himself. The same goes for actual administration officials who have had their lives disrupted lately when they have been out in public, though not on official business. Being called names by protesters while dining in a restaurant comes with the territory for a public official, and hand-wringing about the loss of civility only serves to protect those whose policies and actions are causing harm far worse than name calling.

The North Wind and the Sun - Wind - Project Gutenberg etext 19994
In this 1919 illustration by Milo Winter for an anthology of Æsop’s Fables, the wind attempts to strip a traveler of his cloak in “The North Wind and the Sun” by blowing gales at him, with the result that the traveler draws his cloak tighter. The sun wins the challenge of getting the traveler to take off his cloak by warming him in sunlight.

Respect breeds respect, and civility engenders civility. At least that is how it’s supposed to work. When the top official in a presidential administration is a low-grade schoolyard bully, however, who cynically uses hateful language to whip up the enthusiasm of his most goonish supporters, encouraging them to act out violently against people they resent, and the bureaucrats and politicians in his administration implement without complaint despicable policies, then, as they should be, all are lumped together by the rest of society as people who have no respect for others unlike them, and therefore are not deserving of respect, and as people who behave without civility toward others who disagree with them, and are therefore not entitled to civility in return.

There is no valid comparison to be made between a bakery owner who refuses to bake a cake for a homosexual couple getting married and a restaurant owner who refuses service to White House Press Secretary Sarah Huckabee Sanders. The key to the difference is in Ms. Sanders’s job title, capitalized no less. Refusing service to someone because of who they are, whether homosexual or black-skinned or female, is wrong, both legally and morally. Refusing service to someone because of their actions is a different matter and is protected legally, though there is debate about the ethics of it. It’s something every business owner can and should decide on their own, without then being condemned by public officials who quite unethically use their bully pulpit to whip up public hatred for that business owner.

In this early scene in the 1960 film Inherit the Wind, directed by Stanley Kramer, and starring Spencer Tracy and Fredric March as opposing lawyers, Gene Kelly plays a reporter who mentions his job is to “comfort the afflicted, and afflict the comfortable”. The saying has been appropriated in all seriousness and without a hint of irony by journalists for over a hundred years, never mind that the originator of the saying, Finley Peter Dunne, meant it as a satirical deflation of journalists’ avowed high-minded pretensions, and that the corporate media often have served as uncritical mouthpieces of the rich and powerful, leaving it up to citizen protesters to truly “comfort the afflicted, and afflict the comfortable”.

Protesters who confront officials in public places are generally anonymous, but Stephanie Wilkinson, owner of the Red Hen restaurant in Lexington, Virginia, had no safe retreat when she confronted Ms. Sanders and asked her to leave, and for that she deserves respect as well as a civil acknowledgement of her principles, rather than an outpouring of hatred and death threats. Calls for civility are pointless under the circumstances, though an opponent of the current president, his policies and his behavior, would be wise not to descend to fighting with a pig in the mud, for the simple reason that the pig wins since he is happily in his element, while you end up muddy and discouraged. When possible, keep to the higher ground.
— Ed.