Planting for Tomorrow

 

“Someone is sitting in the shade today because someone planted a tree a long time ago.”
― investor Warren Buffett, known as the “Oracle of Omaha”.

If you have to be outside in the heat of a summer day, there is no sweeter relief than the shade of a large, spreading tree. Even staying indoors you can benefit from a shade tree if it helps cool the building you’re in, reducing the need for air conditioning. The first six months of this year have been the second warmest on record in the lower 48 states, after 2012. The National Weather Service accounts for climate data from 1895 onward, and according to their records 2016 was the warmest year of all.

Trees and shade - panoramio
Trees and shade in London, England; photo by TomasEE.
Drought has not developed as widely this year as in the recent past. The northern Plains states and southern Arizona have been hit hardest with drought this year, but elsewhere rainfall has been adequate. When it’s very hot, sufficient rainfall to keep plants, and especially trees, alive is crucial to mitigating high temperatures in the short and long terms, and maintaining trees as counterweights to further warming. A mature shade tree such as an oak can transpire over a hundred gallons of water in a day, drawing it up from it’s roots and losing it to the atmosphere from it’s leaves. Drought stresses trees and makes them vulnerable to pest problems, and if dry weather continues for several years in a row, the decline and death of trees can be due as much to pest damage as to lack of water for metabolic processes.
Summer is not the best time to plant trees because heat stress makes keeping up with watering difficult, but it is a good time to plan for planting in the best season, autumn. Balled and burlapped trees have been grown in a field, dug up with a root ball at least two or three feet wide and tall, and then the root ball wrapped in burlap to retain moisture until replanting. Such trees are tempting to buy because they promise shade sooner since they are bigger than container-grown trees. There are a number of reasons to resist the temptation.

 

Balled and burlapped trees are more often than not never root-pruned in the field, with the result that when the nursery digs up the tree, they cut off almost all the fine, fibrous roots at the outside of the tree’s root zone, and those are the roots which do the bulk of water and nutrient uptake for the tree. Because they are bigger than container-grown trees, balled and burlapped trees are more expensive to purchase. They are also more expensive to maintain for the first several years after replanting because they need intensive care on account of having to regrow fibrous roots. Until then, balled and burlapped trees will often not grow at all, and will even be surpassed in size and vigor in many cases by initially smaller container-grown trees.
Trees provide shade at the plaza
Trees provide shade at the Santa Fe Plaza in New Mexico; photo by WikTalksmart.
The reason is trees grown in containers have all or most of their fibrous roots. You can check this with a gentle tug on the trunk to see if there is some resistance to coming out of the container. Some unscrupulous nurseries will dig undersized field-grown trees and pot them up, knowing they could not sell them as balled and burlapped trees. Such trees will give little resistance to coming out of the container unless one or more of the large anchor roots is stuck in the side. There will be minimal fibrous root development. Another, perhaps simpler way to check for fibrous roots is to brush away some of the potting soil, making sure to replace it (when doing these tests, be gentle and put things back the way they were).
Artist.painting.at.Central.Park.New.York
Artist painting a picture in Central Park, New York City; photo by SpyON.
Whatever tree you buy and however it was grown, when you get it home, dig a ten dollar hole for a five dollar tree, but don’t overdo it or the tree will never try to extend its roots beyond the hole. Give it a little compost in the backfill and keep a light hand on the fertilizer. Water deeply and mulch lightly, and don’t pile the mulch up against the trunk, no matter how many “professional” landscapers you’ve seen do it! For as long as you take care of your tree, keep grass and other plants at least several feet away from the trunk, which will not only reduce competition for water and nutrients, but eliminate the possibility of mechanical damage from mowers and trimmers. Planting the right tree for your location will help reduce its need for extra water as it matures, though when absolutely necessary in the hottest, driest part of the summer, by all means give it water if you can. In time, your tree will reward you or someone in the future with cool relief from summer heat.
― Izzy

 

Cooling the Customers

 

Air conditioning and movies – or movie theaters – go together so well that it’s hard to imagine a time without the benefits of both together. In 1902, just as movies were getting started, Willis Carrier (whose company made the political news in 2016), a mechanical engineer, invented the first modern air conditioning plant to help a Brooklyn, New York, printing company solve a paper wrinkling problem at its facility. It wasn’t until 1925 that Carrier got together with a movie theater owner to install air conditioning at the Rivoli Theater on New York City’s Times Square. It was a match meant to be, and from then on the summer, which had been the poorest season for movie theaters, became the richest as people attended movies as much for the air conditioning as for the entertainment.

When The Seven Year Itch, starring Marilyn Monroe and Tom Ewell, appeared in theaters in 1955, most houses and apartments did not have air conditioning. In the scene before this one, they leave an air conditioned movie theater after viewing Creature from the Black Lagoon, a 3D monster movie the appeal of which, for them, was probably not as great as the cool comfort of the theater itself.

Home air conditioners were still unusual in the 1950s and 1960s, but by the 1970s most homes had some form of air conditioning, whether central or window units. Movie fans no longer flocked to theaters in summer only for the sweet relief of a few hours respite from summer’s heat and humidity. People continued going to see movies in theaters in summer on account of children being out of school, and how air conditioning in theaters since the 1920s had established summer as movie season. Watching movies at home was still unsatisfactory because of small television screen sizes, low picture resolution and poor sound, and a lag of one or more years before Hollywood would release movies to television.


Meredith Willson 1967
Meredith Willson, when he appeared on the Texaco Star Theater television program in 1967. Willson, who was born in 1902, coincidentally the same year that Willis Carrier invented modern air conditioning, had a long career spanning Broadway theater, Hollywood movies, radio, and television.

All that has changed in the past forty years, of course, starting with home video technology and the ability to either buy or rent movies for home viewing. Theaters felt the pinch, and old style movie palaces shut down, relegating the movie theater experience for the most part to shoe box multiplexes at suburban malls. Drive-in theaters, another summertime movie going experience from a bygone era, shut down along with the air conditioned movie palaces. Now in the last ten years the home theater experience, for people who can afford it (and it becomes more affordable all the time), has progressed to the point that a fair portion of movie fans feel little pulling them toward returning to theaters. Their homes are air conditioned, their televisions and sound systems have gotten bigger and better, and Hollywood releases movies for home viewing so quickly that only the most impatient fans aren’t happy to wait a little while.
The old movie palace experience was something special that can’t be matched by watching a movie at home, no matter how comfortable and technologically sophisticated circumstances at home have become. Comedies and big, crowd pleasing musicals in particular seemed to take on a frisson of excitement when viewed in a well appointed theater among other patrons who were similarly enthralled. Now that theater owners around the country have finally gotten the message and are starting to move away from the nothing special, cookie cutter mall multiplex and toward building theaters that reestablish the grandeur that is only possible outside the home theater, it is questionable whether movie fans will return.

Meredith Willson’s most famous entertainment, The Music Man. Robert Preston, shown in this scene with Buddy Hackett, starred in the long running Broadway show before doing the movie version in 1962.

Some people have had time to drop the movie going habit, for one thing, and for another there is a relatively recent technology that has come into the equation which affects their enjoyment of movies – cell phones. In the theater, cell phone users interfere with the other patrons’ enjoyment of the movie, but at home, for those people who simply can’t do without their phone for even two or three hours, then at least they’re not annoying other paying customers, and for their own enjoyment of non-stop cellular connectivity there is always the pause button on their home theater remote control. Might as well stay home then to enjoy summertime movies, and keep your cool.
― Techly

 

 

Watching Out for Number One

 

After numerous high profile cases of questionable use of deadly force by the police in the past few years, the cry has gone up from the public and from politicians for more widespread use of police body cameras to augment the already prevalent use of dashboard cameras in police cars. The technology does not present a difficulty since data storage capacities have skyrocketed and battery strength in a compact device has increased enough to allow recording over an eight hour shift. The difficulty is with how human beings implement the technology and whether the technology will improve how police interact with citizens.

 

There is evidence that when police wear body cameras the incidences of police violence and abuse of authority declines. That is, the incidences decline when a rigorous protocol for the use of the body cameras is instituted and enforced by civil authorities and police management. In some places, the police have body cameras but their use is left too much up to individual officers, and that naturally leads to the officers recording only the encounters that they calculate will make them look good. A lax protocol like that amounts to none at all. The American Civil Liberties Union has put out an excellent article detailing the best ways to deploy police body cameras and the drawbacks their use may entail.
Barney Miller cast 1974
1974 cast photo from the television series Barney Miller. Clockwise from left: Ron Glass (Ron Harris), Jack Soo (Nick Yemana), Hal Linden (Barney Miller), Max Gail (“Wojo” Wojciehowicz), Abe Vigoda (Phil Fish) (back toward camera). The show took place in the fictional 12th Precinct in Greenwich Village, New York City. Over the years since its initial airing in the 1970s, police have praised the show as a more realistic portrayal of day to day police work than many higher octane TV shows and movies.

 

It’s not surprising that police behave better when they know they’re being watched. The question is why they bear watching. Certainly police work isn’t like warehouse work; police work is often stressful, with the ever present possibility of a dangerous encounter, and by its nature the work involves dealing with other people every day in an environment that can be hostile. That’s the job they volunteered to do. No one drafted them. The fact that it’s not relatively placid like warehouse work is therefore no excuse for police officers acting like dangerous loose cannons when the going gets tough, and definitely not when they feel like going off on someone for some piddling reason that they will later claim “made them fear for their life”. As the saying goes, you knew the job was dangerous when you took it.

 

Fort Apache Police Precinct, 2007
The former 41st Precinct Station House at 1086 Simpson Street in Foxhurst, The Bronx, New York, in the summer of 2007. The building was formerly known as “Fort Apache” due to the severe crime problem in the South Bronx; photo by Bigtimepeace.

The real problem is lack of accountability for officers who behave criminally, and a police culture that from academy training onward instills an “Us vs. Them” mentality. Body cameras are all well and good, and as a purely technological answer to the problem they are excellent, providing privacy issues for both the officers and the public are addressed. But body cameras will take the solution only halfway, if that. Until the public demands that criminal police officers face the kind of punitive and fiscal penalties everyone else in society must face, we’ll continue to see the same violent, bullying behavior from some cops. Paid administrative leave (a paid vacation for being a jerk!) and penalizing the taxpayers with a fine is not going to do it. How could anyone in their right mind, excepting a police union boss, expect otherwise?

The matter of police culture is harder to address. It starts with training and continues with taking away all the militaristic toys police departments have acquired in the past forty years, and most of that in the past twenty. No, you are not a soldier on garrison duty in a hostile foreign country. You are a police officer – a peace officer, if you will – at home amongst your fellow citizens, friends, and neighbors, vile as some of them may seem to your law abiding heart. Playing dress up in GI Joe gear with full body armor and intimidating your fellow citizens with armored personnel carriers and other cool stuff should not be part of the job description. Changing that macho police culture won’t happen, however, until the public stops living in fear of every little thing, handing over far too much authority, money, and blind obedience to a group of men and women meant to be our servants and not our masters, some of whom unfortunately respond to the situation by puffing themselves up with arrogance and steroids, looking and acting like goons any sensible person would run away from, rather than the friendly cop on the beat, a fellow citizen instead of an overseer.
― Techly

 

 

Hail the Conquered Heroes

 



The 1944 film Hail the Conquering Hero, written and directed by Preston Sturges, satirizes our need for heroes and the lengths we will go to in order to assert myth over reality.

 

People seem to have a deep need for heroes, and will invent mythologies around the ones they anoint and erect monuments to them. If worshiping their hero and fetishizing the symbols around him or her serve as a poke in the eye to some others, well then that’s too bad. Those in power decide who gets a monument, and the powerless have to live with it. When some citizens criticize the symbolic nature of those monuments, the powerful react with anger, as if some people have a lot of nerve for objecting to getting poked in the eye.

 


All around the former Confederate States of America, civic arguments are going on over the proper role of Civil War symbols and monuments in public places. Almost all of these symbols and monuments are martial in nature, with an undertone of defiance. For some, the War Between the States continues, 150 years on, and those whose eyes are poked because of it need to remember their place. One wonders how they would feel if a statue of William Tecumseh Sherman was put on prominent display in Peachtree Plaza in Atlanta, Georgia. How about a statue of the English King George III in New York City’s Central Park? Since at least a third of residents of the American colonies were Loyalists during the Revolution, that war can be considered the first American Civil War, or War Between the Revolutionists and the Loyalists, if you prefer.


He burned atlanta
General Sherman Memorial, Washington, D.C.; photo by Flickr user debaird.

 



New York City. After a public reading of the Declaration of Independence on July 9, 1776, a crowd pulls down the statue of King George III to be melted into bullets. Contemporary engraving.


The Civil War monuments should not be removed, as that would silence part of history, like the activists who want to silence speech they don’t agree with. A better policy is to acknowledge and memorialize those other people from history, the ones who have been ignored while the powerful played up the mixed accomplishments of generals and statesmen. In Charlottesville, Virginia, where one of those civic debates is going on about the desire of some to see statues of Robert E. Lee and Thomas “Stonewall” Jackson removed from public parks, the former head of the local chapter of the National Association for the Advancement of Colored People (NAACP) in the 1950s, Eugene Williams, believes the statues should stay, but the city should also memorialize the slave auction site at Court Square. Auctioning slaves within sight of the seat of justice, the local courthouse, is a stark reminder of the contradictions in our culture, and memorializing both the auction block and Generals Lee and Jackson on their horses would yield a more complex, adult understanding of history than listening to only one side of the story.
― Vita

 

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