Hello, Sports Fans

 

The finale of the National Football League season comes next Sunday with the Super Bowl contest between the Tampa Bay Buccaneers and Kansas City Chiefs at Raymond James Stadium in Tampa, Florida, and it marks the end of a season when relatively few fans attended games in person due to coronavirus social distancing restrictions observed by the league’s teams. Attendance at this Super Bowl will be limited to 22,000 fans, in a stadium that can seat over 65,000. For hard core fans used to watching the games in person rather than on television, it must have been a peculiar season.

Crowd in Polo Grounds grandstand; Cubs at Giants - final game (baseball) LCCN2014682317
Crowd in the Polo Grounds grandstand for the final game of the 1908 baseball season, watching the visiting Chicago Cubs play the New York Giants. Library of Congress photo from Bain News Service.

 

To be at a stadium or ballpark for a game is to experience something beyond the game alone, which really can be viewed more intelligibly on a television screen or computer monitor from the comfort of home. The sports fanatic can spend hundreds of dollars for the experience, counting ticket price, parking, concessions, and other sundry expenses, and still the sports fan prefers bearing those costs instead of staying home to watch the game for free or at very little cost. One hundred years ago, there were no such contrasting choices.

At the beginning of 1921, there was no broadcast medium at all involved in bringing sporting events to the masses. In the United States, radio broadcasts of sports began later that year, with the airing of a boxing match on April 11 in Pittsburgh, Pennsylvania, and a baseball game on August 21 from Forbes Field in Pittsburgh. In both cases, the broadcasting station was KDKA in Pittsburgh. On October 8, KDKA broadcast a college football game. The first American television broadcast of sports didn’t occur until May 17, 1939, when NBC covered a college baseball game in New York City. Hard core sports fans didn’t get to listen to a sports talk radio show until New York’s WNBC started airing one in March 1964.

One hundred years ago, people either bought tickets to see sporting events or read about them the next day in a newspaper. Talking about sports was a first hand endeavor limited to friends, family, neighbors, and co-workers. Now there are several options besides buying tickets for vicariously experiencing athletic contests, and with sports talk radio and television shows and social media, there are many options for sports fans to gab on and on about their obsessions to familiars and strangers alike, both near and far.



One of the subplots from a 1995 episode of Seinfeld involving Patrick Warburton as David Puddy, the boyfriend of Elaine Benes, played by Julia Louis-Dreyfus. Michael Richards played Cosmo Kramer, and Jerry Seinfeld played a fictional version of himself.

 

Social norms of public appearance and behavior loosened after World War II and particularly in the ’60s and ’70s, resulting in sports fans changing over the 50 years from the ’30s to the ’80s from men (they were overwhelmingly men in the stands) who attended the games largely in suits and ties, to people who wore casual clothing, often comprised of the merchandised parts of their favorite team’s uniform. Some went shirtless and painted themselves in their team’s colors. In the 1950s, only little boys and some working class adults wore baseball caps regularly. Now, almost everyone wears one at least occasionally, and many of the caps bear team logos at a price. No one has to grow up anymore (or wants to), and sports merchandisers, who had very little business at all before the 1970s, are counting money in the billions each year now, even without sports fans filling the stands.
— Vita

 

Listening to the Scientists

 

Dr. Scott Atlas, a neuroradiologist with no credentials in the public health field, has found favor with the current president because as a member of the White House Coronavirus Task Force he says what the Egoist-in-Chief wants to hear when he listens to scientists. Dr. Atlas is not an idiot, in other words – he’s an ego masseuse, an important qualification as far as the current president is concerned.

 

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White House medical advisor Dr. Scott Atlas delivers his remarks during a press conference on September 16, 2020, in the James S. Brady Press Briefing Room of the White House. Official White House photo by Tia Dufour.

What follows is a very short list of doctors and scientists, some better than others, to be sure, but all more or less qualified for the Man Baby’s pandemic science team.

Bill Nye 2017
Bill Nye, better known as Bill Nye the Science Guy, at the May, 2017, Montclair Film Festival in Montclair, New Jersey. Photo from the Montclair Film Festival.

Prince Avenue Mascot
Phil McGraw, better known as Dr. Phil, in a stock photo.

Mehmet Oz - World Economic Forum Annual Meeting 2012
Mehmet Oz, better known as Dr. Oz, at the World Economic Forum in Davos, Switzerland, on January 27, 2012. Photo from World Economic Forum.

Robert Young Marcus Welby 1973
Robert Young as Dr. Marcus Welby in the television program Marcus Welby, M.D.. 1973 publicity photo from ABC Television.

DeForest Kelley, Dr. McCoy, Star Trek
DeForest Kelly as Dr. Leonard ‘Bones” McCoy in the television program Star Trek. 1970 publicity photo from NBC Television.

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Ted Geisel, better known as Dr. Seuss, seated at a desk covered with his books. 1957 photo by Al Ravenna for the New York World Telegram and Sun newspaper.

Lost in Space Jonathan Harris & Robot 1967
Jonathan Harris as Dr. Zachary Smith poses next to the Robot in the television program Lost in Space. 1967 publicity photo from CBS Television.

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Color lobby card for the 1931 black and white film Frankenstein, directed by James Whale and featuring Colin Clive as Dr. Victor Frankenstein and Boris Karloff as the Monster. Card from Universal Studios.

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A Dr. Evil impersonator at a Dell Computers presentation in January, 2007. Photo by Flickr user Edans.

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The Muppet Show characters Dr. Bunsen Honeydew and his laboratory assistant, Beaker, at a March, 2007, event for the Muppet Mobile Lab. photo by Flickr user Dawn Endico.

Groucho Marx A Day at the Races
Groucho Marx as Dr. Hugo Z. Hackenbush in the 1937 film A Day at the Races, directed by Sam Wood and starring the Marx Brothers. Publicity photo by Ted Allan for MGM Studios.


In this scene from the 1964 film Dr. Strangelove, directed by Stanley Kubrick, Peter Sellers plays both Dr. Strangelove and President Merkin Muffley, and George C. Scott plays General Buck Turgidson. The current president is not at all like President Muffley in his reasoned assessment of the options available to him in a crisis, but more closely resembles General Turgidson, whose simple-minded grasp of issues is limited to his primal and self-serving interests.
— Techly

 

This Colorful Life

 

Researchers at the University of Southern Denmark recently discovered arsenic in the green pigment used on the covers of some Renaissance manuscripts, which means they are unreadable without special handling. The pigment was not put there by the original writers or printers, but by Victorian preservationists who were most likely trying to prevent insect damage. The pigment, known as Parisian Green, was known at the time to ward off insects, but the link to arsenic was little known at the time. Production of Parisian Green has since been discontinued, joining a list of other toxic pigments whose drawbacks became known over time.

 

The late nineteenth century Impressionist painter Vincent van Gogh may have succumbed to lead poisoning, dying at 37 of a self-inflicted gunshot after one of his many fits of delirium. This is one of many speculations about van Gogh’s troubled mental life. Van Gogh was extraordinarily prolific in his short career, producing over two thousand paintings in the course of ten years. He left behind many letters describing his technique and materials, and from those historians have speculated van Gogh’s high productivity exposed him to the lead in his oil paints more than what other artists of the period experienced.

WLA ima Landscape at St Remy
Enclosed Wheat Field with Peasant / Landscape at Saint-Rémy, an 1889 painting Vincent van Gogh produced while staying at an asylum in southern France.

There is another aspect of van Gogh’s use of certain pigments which has come to light in recent years, and that is the susceptibility of some of them, mainly the yellows he mixed with white in order to lighten them, to fade to a dull brown after prolonged exposure to sunlight. Van Gogh’s paintings of sunflowers are particularly vulnerable to losing their unique quality on account of this unfortunate chemical reaction. Ironic that an artist who delighted in the strong sunlight of southern France and attempted to bring out its shining brightness in the strong yellows of his paintings should have his efforts diluted by the effects of sunlight.

Homo sapiens have some of the best color vision in the animal kingdom. Only birds have better color vision overall, as evidenced by the wide range of color displays in their plumage. Humans don’t have colorful plumage, of course, but there are many other ways we make use of our excellent color vision, and one of them is our zealous pursuit of pigments and dyes to reproduce the colors we see in the world. Our desire to display the colors we see in the world and express to others our own imaginative vision manifests not so much with our own bodies, which are limited canvases, but in art and design, in paintings and fabrics since antiquity, and in film and electronics over the last hundred or more years.

A video tribute to Vincent van Gogh set to Don McLean’s 1971 song “Vincent (Starry, Starry Night)”.

Vincent van Gogh, driven as he was to recreate in his paintings the life he saw not only with his eyes, but with his mind’s eye, may have gone on even knowing the health risks of some of the pigments he was using because the colors he sought could be achieved no other way at the time, though he may have reconsidered using some others had he known of their eventual degradation of his vision. It’s also possible that for him the painting was the thing, capturing what he saw and felt at the moment, and letting the future be what it will.
— Vita