Lest We Forget

 

This Memorial Day marks the 150th anniversary of the holiday. When it was first formally celebrated, the holiday was a remembrance of Civil War dead and was called Decoration Day. Since 1868, Americans on Memorial Day have taken to visiting the graves of not just fallen soldiers, sailors, and marines, but those of their friends and relatives regardless of whether or not they died in military service to the country. Officially Memorial Day is for remembering and honoring the country’s war dead, but it has also become a day for remembering and honoring the near and dear, and most Americans usually do that by decorating the graves with flowers.

In western societies, placing flowers at grave sites goes back to the ancient Greeks and Romans, and even before, to the stone age, as archaeologists discovered not long ago. Since then, as Jews and Muslims have asserted their own cultural and religious preferences for honoring the dead, the tradition of remembering with flowers has remained mostly a Christian one in the west. There is an entire symbolism of flowers dating from the ancient Greek and Roman mythologists and carried on by Christians, but it’s a safe bet to guess most people pay little attention to such subtleties when picking out a specific flower or an arrangement of flowers to place at the grave of their loved one. Most likely they pick out something they themselves enjoy, or that they know was a favorite of the departed.


Spring in Guelma
Common poppies blooming in May 2015 in Guelma, a district in northeastern Algeria. Photo by Yaco24.

There is one flower symbol that remains widely understood, and it is the red poppy originating from the battlefields of Flanders in World War I, which has come to specifically memorialize military members dead from service in all wars since the so-called War to End All Wars. “In Flanders Fields”, a poem written by John McCrae, a Canadian who served in the war with the rank of Lieutenant-Colonel, noted the red poppies growing among the graves of soldiers buried after the Second Battle of Ypres. The fame of McCrae’s poem established the common red poppy, Papaver rhoeas, a tough plant long known in the region as a colonizer of disturbed ground, as the Remembrance Poppy thereafter.

It is worth noting that the opium poppy, Papaver somniferum, is native to the Mediterranean region and the Near East and yields opiates such as morphine, named for Morpheus, the god of dreams. Opium poppies were well known to the ancients for their anesthetic properties, a blessed relief for those wounded in battle or near death. It’s flower is not a symbolic reminder like the red poppy of those lost to the violence of war, but its value in easing suffering and bringing on the forgetfulness of sleep to those maimed and agonized by that violence makes it more important to those poor unfortunates, and certainly more useful. Rest in peace.
— Izzy

 

Hail the Conquered Heroes

 



The 1944 film Hail the Conquering Hero, written and directed by Preston Sturges, satirizes our need for heroes and the lengths we will go to in order to assert myth over reality.

 

People seem to have a deep need for heroes, and will invent mythologies around the ones they anoint and erect monuments to them. If worshiping their hero and fetishizing the symbols around him or her serve as a poke in the eye to some others, well then that’s too bad. Those in power decide who gets a monument, and the powerless have to live with it. When some citizens criticize the symbolic nature of those monuments, the powerful react with anger, as if some people have a lot of nerve for objecting to getting poked in the eye.

 


All around the former Confederate States of America, civic arguments are going on over the proper role of Civil War symbols and monuments in public places. Almost all of these symbols and monuments are martial in nature, with an undertone of defiance. For some, the War Between the States continues, 150 years on, and those whose eyes are poked because of it need to remember their place. One wonders how they would feel if a statue of William Tecumseh Sherman was put on prominent display in Peachtree Plaza in Atlanta, Georgia. How about a statue of the English King George III in New York City’s Central Park? Since at least a third of residents of the American colonies were Loyalists during the Revolution, that war can be considered the first American Civil War, or War Between the Revolutionists and the Loyalists, if you prefer.


He burned atlanta
General Sherman Memorial, Washington, D.C.; photo by Flickr user debaird.

 



New York City. After a public reading of the Declaration of Independence on July 9, 1776, a crowd pulls down the statue of King George III to be melted into bullets. Contemporary engraving.


The Civil War monuments should not be removed, as that would silence part of history, like the activists who want to silence speech they don’t agree with. A better policy is to acknowledge and memorialize those other people from history, the ones who have been ignored while the powerful played up the mixed accomplishments of generals and statesmen. In Charlottesville, Virginia, where one of those civic debates is going on about the desire of some to see statues of Robert E. Lee and Thomas “Stonewall” Jackson removed from public parks, the former head of the local chapter of the National Association for the Advancement of Colored People (NAACP) in the 1950s, Eugene Williams, believes the statues should stay, but the city should also memorialize the slave auction site at Court Square. Auctioning slaves within sight of the seat of justice, the local courthouse, is a stark reminder of the contradictions in our culture, and memorializing both the auction block and Generals Lee and Jackson on their horses would yield a more complex, adult understanding of history than listening to only one side of the story.
― Vita