Everyone Knows it’s Windy

 

The Trump Baby balloon that floated over London, England, last Friday was the culmination of efforts on the part of graphic designer Matt Bonner and a team of political activists and balloon fabricators who wanted to make a statement about the petulant and childish temperament of the current American president. As a mocking indictment of his destructive behavior, it is an effective piece of work. The activists plan to have the balloon shadow it’s real-life angry baby model as much as possible wherever he travels around the world.

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The Trump Baby balloon rises over London’s Parliament Square. Photo by Michael Reeve.

Large balloon caricatures came about with the work of Tony Sarg on the Macy’s Thanksgiving Day parade in the 1920s. Mr. Sarg was a German-American puppeteer who took the concept of marionettes and simply turned them upward and inflated them, though the comparison ends there because the guide ropes for a balloon caricature do no more than tether and control them, as opposed to the thin wires that puppeteers use to manipulate the movements of small marionettes.

The technology for creating large balloons with discretely modeled characteristics like arms and legs has changed over the years, of course, with the biggest difference coming in the planning stage when designers can now model the character with 3D animation on a computer, eliminating some of the trial and error involved in the design and fabricating of earlier balloons. Experienced engineers at the fabricating plant can then examine those computer designs and make or suggest alterations that will improve the balloon’s stability when floating overhead and streamline its manufacturing, all without greatly changing if possible the designer’s intent.

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The statue of Winston Churchill in London’s Parliament Square. Photo by Braveheart.

These protest balloon caricatures appear to be gaining popularity, and it’s easy to see why since they fit the criteria of making an impact over a wider area than a hand-held placard and they can show up around the world as needed with a relatively small support team. An excellent graphic design can also generate revenue for the protest movement through merchandising. The main difficulty in deploying the balloons is in securing permission from government officials, which ought not be that much different from acquiring the usual permits for a protest other than stipulating a maximum height for the balloon when it is in the air.

Since the balloons are not intended to float higher than about 50 feet, conflicts with aviation should be minimal. The main obstacles aloft to safe deployment, besides high winds, are things arising from the ground such as power and light poles and electrical and communications cables. Let’s hope these symbols of protest continue floating freely wherever there’s enough helium a need for them, as a reminder to everyone that many powerful public figures need to have the air let out of them, not necessarily for their benefit since it can be all but impossible to deflate their often massive egos, but for ours as citizens in a still relatively free society.
— Techly

 

Talking a Good Game

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Players at a game of Catan during the April 2016 Wikimedia Hackathon in Jerusalem, Israel. Photo by Ariel Elinson.

The German board game Settlers of Catan, now known simply as Catan, first published by Klaus Teuber in 1995, changed ideas around the world about what board games could be and led the renaissance in the form that has seen huge growth over the last 20 years, primarily among young adults. Catan is competitive, just like many board games of the past like Monopoly and Risk, but unlike those games it does not eliminate some players before the game is over, and therefore everyone who starts the game holds on to a chance at winning until the end. It is competitive, but not reductive.

That game dynamic, which has come to define most of the board games coming from Europe, and particularly Germany, in the last 20 years has become known by the shorthand Eurogames. The games are overall competitive in nature while incorporating elements of cooperation and degrees of engagement with, or isolation from, one player to the other players as suits an individual’s personality or strategy. The character of the games can be seen as socialist rather than capitalist, as in Monopoly. Warring and confrontation are similarly sidelined in favor of building or collecting. A player still strives to outdo the others, though not entirely at their expense. The games are not zero sum games, where one player ends up with everything and the others are left in ruins.

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A balloon of the Monopoly mascot, Mr. Monopoly, also known as Rich Uncle Pennybags, at a Macy’s Thanksgiving Day parade in the early 2000s. Photo by Fluffybuns.

The genius of these games coming out of Europe is how they tap into the better parts of our nature without resorting to banality, which of course would ensure they got played exactly once before finding a place on a closet shelf, there to be ignored ever after. The game designers understand the duality of human nature, and they give play to both sides, and in the best games, such as Catan, they appear to have achieved a balance, a yin and yang duality, if you like.

A scene from Stanley Kubrick’s 1987 film Full Metal Jacket, with Matthew Modine as Pvt. J.T. “Joker” Davis being upbraided for not going along with the program. Warning: foul language.
Many of the older games, like Monopoly, much loved as they were, gave vent primarily to the aggressive, greedy side of our nature, and people mistakenly thought that was who we were, and all we were. Pillaging and destruction of competitors may be all fun and games for a certain limited part of our psyches, and honesty demands we acknowledge that is part of who we are. But it is only a part, and the rest of our spirit seems to demand we fulfill our need to build and create, urged on still by that core desire to do it as well as we possibly can, and if that results in greater and grander returns than everyone else can achieve, then so much the better. All in good fun, of course.
― Vita

 

How the Mighty Have Fallen

 

Sears, once the largest retailer by sales volume in the country, has been in decline for the last twenty years and is on its way out of business. Some of its competitors in the brick and mortar and catalog sides of retail merchandising have either already gone out of business or are also on their way out. Sears failed to keep up with the online retail revolution, and a look around its sales website indicates that the company still doesn’t have a handle on it. Sears closed up its famous catalog in 1993, and since it never established itself online, it was left with brick and mortar stores which are not doing well.

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The Amtrak train The Cardinal departs Chicago in May, 2009, for points east. The Sears Tower, the tallest building in the skyline, was renamed the Willis Tower in 2009 by the Willis Group as part of its lease agreement. Photo by Russell Sekeet.

 

Throughout the first two thirds of the twentieth century, Sears was such a huge merchandiser that it accounted for about one percent of all retail sales nationwide. It was the Amazon.com of that time, which was no small feat considering the supply chain difficulties imposed by an infrastructure that would not become truly nationwide until the 1950s with the building of the interstate highway system. Sears made its name by using its catalogs to reach under served rural customers at a time when the majority of people lived outside of cities. Now online retailers can reach anyone with an internet connection, and shippers deliver directly to the consumer’s doorstep.

It was at this time of year, late summer or early autumn, that Sears used to issue its Wish Book, a shortened version of its catalog, with an emphasis on Christmas gift items. One of Sears’ competitors, Macy’s, still kicks off the Christmas shopping season by sponsoring a Thanksgiving Day parade in New York City, though it has also been closing stores around the country. The 2008 recession accelerated the decline of the big nationwide department stores after a slow slip in sales since the 1990s. Specialty stores with a national or regional presence, like Radio Shack and Circuit City, have also either shut down or are close to doing so. What’s most often left then for Christmas shoppers visiting a physical store are the big box retailers like Walmart and Target.

 

Or people could patronize locally owned shops. The prices may be higher because the small shops don’t have the supply chain advantages of their much larger competitors, but the local small business gives back to its community. In that sense, the two types of stores should not even be considered competitors. Over there are the big box retailers selling goods cheaply, but also taking advantage of communities with unethical employment and supply chain practices. And over here are small businesses that are answerable to the community, because without local support and good word of mouth they are doomed to fail.

Gimbels with Hearst antique NYWTS
Left to right: Adam Gimbel, Frederic Gimbel, and Bernard Gimbel looking at a Luca della Robbia (1400-1482) statue of Madonna and Child, from the art collection of William Randolph Hearst. Parts of Hearst’s collection were sold at the Gimbels department store in 1939-1940. Gimbels had stores in the northeast and the midwest, and a prized location next door to Macy’s in Herald Square in New York City. Photo by Edward Lynch of the New York World Telegram & Sun.


Edmund Gwenn stars as Santa Claus in the 1947 version of Miracle on 34th Street. The film’s setting is Macy’s department store in New York City.

It could be that the failure of the old retail giants like Sears will prompt renewed interest in shopping at local stores. Online retailers and a few big box retailers have already usurped much of Sears’ more than one century old business model. Sears and J.C. Penney and a few other large department stores have anchored enclosed suburban shopping malls since they first started appearing in the 1950s and 1960s. Now that those stores are declining, perhaps small, locally owned shops will pick up more business. That would be a welcome development, and it might eventually boost Small Business Saturday to a level competitive with Black Friday (it’s antithesis is Buy Nothing Day) and Cyber Monday. Like it or not, Christmas has been a commercial proposition in America for a long time now, and if small businesses can bloom from the ashes of the old retail giants, then at least some good will have come from that mercantile aspect of the year end holidays.
― Vita