Tag: Frank Capra

Getting Flaky

 

Snow has always been more problematic for movie sets than rain, but when the filmmakers and their special effects people do it well it creates an atmosphere for viewers that suspends their disbelief to the point of not noticing smaller details, like how the snow fallen on performers doesn’t appear to melt quickly when they go indoors, where it is presumably warmer than it is outside. All sorts of obstacles dictate the use of fake snow for movies rather than the real stuff, from warm weather outdoors to shooting scenes indoors on sound stages. Real snow also compacts underfoot, making it impracticable for filmmakers to get more than one or two takes in one spot outdoors even when they go to the trouble of brushing over footsteps to make the snow appear fresh for retakes. As expensive as it is to make a movie, it makes sense to use fake snow.

 

In the early twentieth century, filmmakers created fake snow with bleached cornflakes, salt, flour, cotton wadding, asbestos, or combinations of those materials as well as others. All posed problems either of realism or health and safety. Cornflakes crunched underfoot and were difficult to use once sound came into movies; salt was corrosive; flour congealed on exposure to moisture; cotton was a fire hazard, and its replacement, asbestos, was a health hazard. Filmmakers experimented with many materials, but it wasn’t until Frank Capra’s 1946 film It’s a Wonderful Life that they came upon a winning formula which was realistic and safe.

Snow in the City - Six Summer Saturdays - Fake snow in Chamberlain Square (6014608196)
Fake snow attracts visitors to Chamberlain Square in Birmingham, England, in August 2011 as part of the Six Summer Saturdays festival. The fake snow was supplied by Snow Business, an English firm that has also used the material on many movie sets. Photo by Elliott Brown.

For that film produced by the studio RKO (Radio-Keith-Orpheum), special effects supervisor Russell Shearman helped create a mix of foamite – a fire extinguisher material – with sugar, water, and soap flakes. Mr. Shearman’s snow effects were so convincing that the Academy of Motion Picture Arts and Sciences gave him and his special effects department a Technical Achievement Award for their work on It’s a Wonderful Life. Watching this Christmas classic over 70 years later, after special effects have made huge advances in duplicating reality, and noticing how at the end of the movie the “snowflakes” on Jimmy Stewart’s shoulders take a long time to melt when he comes indoors to a warm reception from his family, friends, and neighbors, should not detract from anyone’s enjoyment of a great cinematic moment or the filmmakers’ expert creation of George Bailey’s (Stewart’s) snowy odyssey one long Christmas Eve in the fictional New York town of Bedford Falls (or its nightmare alternative, Pottersville). Movie magic at its best suspends the viewer in another world for a time, and on the few occasions when the artifice shows through, it’s charitable not to be too picky and to brush them off.
— Vita

Bing Crosby, Rosemary Clooney, Danny Kaye, and Vera-Ellen in the 1954 film White Christmas, directed by Michael Curtiz, and with songs by Irving Berlin, including “Snow”. The performers take the train from Florida and eventually arrive in Vermont, where snow doesn’t fall until Christmas Eve.

 

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The Old Guard Problem

 

“And can you, can you imagine fifty people a day, I said fifty people a day walking in singin’ a bar of Alice’s Restaurant and walking out. And friends they may think it’s a movement.” — Arlo Guthrie, from his song “Alice’s Restaurant Massacree”.

Progressive Democrats like Alexandria Ocasio-Cortez, newly elected Representative from New York’s 14th Congressional District, have their work cut out for them even before they take their seats in January as they battle the Old Guard within their own party. The Old Guard of the Democratic Party, led by Nancy Pelosi in the House and Chuck Schumer in the Senate, are working to co-opt, minimize, and undermine the incoming progressives so that business as usual shall continue after January. The Old Guard appears to have little interest in understanding that business as usual by corporate Democrats such as themselves is what brought this country to the precipice of authoritarian rule by the current president and his accomplices in Congress and the judiciary over the past two years.


First Capitol telephone operator still on job. Washington, D.C., July 30. When Miss Harriot Daley was appointed telephone operator at the United States Capitol in 1898 there were only 51 LCCN2016872097
Harriot Daley, standing, was appointed telephone operator at the United States Capitol in Washington, D.C., in 1898 when there were only 51 stations on the switchboard. On July 30, 1937, when this photo was taken, Miss Daley was Chief Operator and supervised a staff of 37 operators as they answered calls from 1200 extensions. Library of Congress photo by Harris & Ewing.

Corporate Democrats are a better option for leading this country than fascist Republicans in the same way that a kick in the behind is marginally better than a kick in the groin, but that’s hardly a hearty endorsement of their policies and practices. That is not a positive view of the future for young people starting out and raising children of their own into the world. There has to be a better option still, one that is outside the stale choice between the lesser of two evils, both of them more interested in serving corporate interests than those of the people at large. The Old Guard of the Democratic Party will continue trying to scare progressives into backing down from real change by claiming they are splintering the Party and allowing the minority party, the Republicans, to win votes in the House of Representatives and pass their agenda.

There’s truth in their argument, too, particularly since Republicans historically are more likely than Democrats to maintain lock step with their colleagues in the face of opposition and subsume their differences, but it doesn’t necessarily follow that progressives should move to the center and join ranks with the corporate Democrats instead of the other way around. What’s needed to convince corporate Democrats to drop Old Guard methods and beliefs, besides not re-electing them time after time, is pressure from ordinary citizens that builds to a point overpowering their allegiance to corporate money.

Phone calls. E-mails. Snail mails. Attendance and vocal presence at town halls. Boycotts of corporations making large political donations. Taking to the streets. Voting in local elections for school board and county supervisor and city council seats. Knocking on doors to get out the vote and helping people register to vote. Speaking up when someone among your friends, family, or neighbors expresses hateful ideas counter to our democratic principles. Refusal to participate in the national security state by calling for the repeal of the PATRIOT Act and the National Defense Authorization Act (NDAA) and condemning the persecution of whistleblowers like Chelsea Manning, Edward Snowden, and John Kiriakou.

The presentation in Frank Capra’s 1939 movie Mr. Smith Goes to Washington probably strikes most people today as corny, but that should not overshadow the principles of good government and citizen participation it espouses and their relevancy today.

Starting and supporting statewide initiatives such as California’s Proposition 11 in 2008 which took legislative district reapportionment away from partisan politicians and gave that power to the people. There are many more ways to convince business as usual Democrats in Congress and across the nation that the future for them and us lies in their scooting over to the left, in the direction this country came from before it swung too far right in the last generation, rather than stubbornly obstructing progressives in order to better serve their corporate masters. Getting up off the couch and making phone calls and doing the other things is the only way to make it happen.
— Ed.

 

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Mnuchin in Love Nest with “Actress”

 

Treasury Secretary Steven Mnuchin and his new bride, “actress” Louise Linton are the very latest models of a Washington power couple. The two gaga lovers tied the knot in June in a ceremony attended by Washington, Wall Street, and Hollywood elite. You were not invited. Mr. Mnuchin, fresh off his stint foreclosing on old ladies for his company, OneWest bank, was sworn in to his new gig as Treasury Secretary in February in an exclusive Oval Office ceremony attended by only a select few. Ms. Linton was there, because even though she and Steve hadn’t gotten hitched yet, she was still his very significant other.
Steve Mnuchin swearing in
Steve Mnuchin swearing in, with P. and V.P. in attendance, and the fabulous Louise Linton looking on soulfully. Now that’s acting! Wish you could’ve been there – not!

The two lovebirds have been caught up in controversy lately – oh, that liberal media! – which really amounts to nothing to people who know what’s really important, like shopping! First, the Mnuchster had to fend off a plea from his Yale (only the best schools) classmates asking him to consider resigning from his post in the administration due to some unfortunate remarks made by his boss – again, it’s the liberal media stirring up trouble! No way, he replied, I’m in this for the long haul and there’s plenty of draconian fiscal measures I have yet to implement with the boss’s blessing. Besides, all that brouhaha was stirred up by the liberal media mischaracterizing the words which spilled out of El Supremo’s mouth. The words (only the best words) would seem to indicate he is a white supremacist and a neo-Nazi sympathizer, but that’s only if you slant things by listening to the words in the order he said them.

Lionel Barrymore as the greedy, unscrupulous Mr. Potter tempts James Stewart’s George Bailey in the 1946 Frank Capra film It’s a Wonderful Life.

Shortly after that kerfuffle, the newly minted Mrs. Mnuchin, “actress” Louise Linton wrote some things on Instagram that the plebeians expressed indignation about, and Louise had to set them straight. To paraphrase, she told them to eat Little Debbie snack cakes, or whatever horrid stuff you working class dullards stuff in your mouths with your pudgy fingers. Louise and her figure are too fabulous to touch that kind of ick! Anyway, it all started with a plane trip to Fort Knox in Kentucky that Louise and hubby made – coincidentally! – on Monday, the day of the solar eclipse, in a place where the eclipse was near total. Fabulous! but a total coincidence, mind you! So there was a government plane involved, the shopping and eclipse viewing were fantastic! Eat your Little Debbie fudge fingers, or whatever they’re called, and shut up!

The talented and charming Eva Gabor sings the praises of luxury while Eddie Albert sings of integrity and honest toil. It’s not so much that they were giants in those days of the late 1960s, as that we have sunk to the bottom of the barrel since then.

That’s the news from the upper crust, your fabulous betters. You may return to your hog slopping or whatever it is you do, you pathetic prole. And pay up on that mortgage, slacker! Now go away.
― Ed.

 

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