Tag: France

Respectfully Yours

 

“Where words fail, music speaks.” — Hans Christian Andersen

 

Divan-of-Hafiz-Binding-Gul-u-Bulbul
Binding of a Divan of Hafiz, from April 5, 1842 in Iran. Original lacquer “gul-u-bulbul” (flower-nightingale) motif with gold, red, and black decorative frame. The metaphorical relationship of the nightingale (active lover) and flower (passive beloved), frequently used in Persian poetry, especially by Hafiz, serves as an appropriate theme for the binding covering this manuscript.

The French musician and composer Camille Saint-SaĂ«ns wrote incidental music in 1901 for a play called Parysatis, based on a novel by the French archaeologist and explorer, Jane Dieulafoy. The play, about an ancient Persian queen and produced in 1902 for a summer festival in the southern French town of BĂ©ziers, has not stood the test of time as well as Saint-SaĂ«ns’s music.

 

“Le Rossignol et La Rose” is a musical piece for wordless voice in Act II. The title in English is “The Nightingale and The Rose”, and refers to Persian symbolism around love. There is a peculiar 1888 short story by Oscar Wilde titled “The Nightingale and The Rose” which is unrelated to music for the play Parysatis or to the play itself. Wilde wrote his story ostensibly for children, but its deeper themes are really beyond their understanding. Reading Wilde’s story is nonetheless instructive about love because of how he frames respect as an integral part of love.


Natalie Dessay sings “Le Rossignol et La Rose”, by Camille Saint-SaĂ«ns. Is the song sorrowful? Joyful? That probably depends on the mood of the listener. The pacing lends an air of melancholic contemplation. The song contains within it, in other words, the varied emotions of love itself. Incidentally, Ms. Dessay has sung the lead role in Igor Stravinsky’s 1914 opera Le Rossignol (The Nightingale), notably for a trippy French film adaptation in 2005 which aired on American public television. Stravinsky based his opera on an 1843 story by Hans Christian Andersen.

Without respect there is little in love beyond shallow self-interest and the words spoken sound out hollowly, like an echo. Giving respect to another is as essential as giving love, indeed is at the heart of love. Where there is little or no respect, there is little or no love, no matter the words uttered. Respect is demonstrated, is shown to another as well as to oneself. Understanding and remembering this is crucial if love is to deepen and widen beyond the initial merging of two souls, where the two converge to form a third part all its own, its own world composed of and known only to the two lovers, like two circles partially overlapping. With respect comes trust, and with trust comes the will to acknowledge fears and the courage to not run away. And then there is music, bringing love ’round full circle by singing directly to the heart and soothing fears.
— Vita   “Music fills the infinite between two souls.” — Rabindranath Tagore


“Southern Cross” a 1982 song by David Crosby, Stephen Stills, and Graham Nash.

 

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Equal Application of the Law

 

“And when you pray, do not be like the hypocrites, for they love to pray standing in the synagogues and on the street corners to be seen by others. Truly I tell you, they have received their reward in full.”
— Matthew 6:5, from the New International Version of the Bible.

When state and local governments include churches, mosques, and synagogues in their lockdown orders due to coronavirus, it might at first glance seem to be an infringement on religious freedom, but such is not the case. It would be an infringement if government singled out particular institutions which were in almost every way like other institutions except for their religious character. In this public health emergency, however, the only concern government officials have with religious institutions is the one characteristic they share with some other institutions, which is how they typically gather together large groups of people, a characteristic more conducive to spreading coronavirus than to tamping it down.


Congregating for the purpose of religious worship is no more under attack in these coronavirus lockdown orders than assembly for the political purpose of voting. This hasn’t stopped some religious leaders from loudly claiming they and their congregants are being persecuted by government in general and by the Democratic Party in particular. It hasn’t taken long for the coronavirus to become politically as polarized as everything else in our society. The virus itself has not expressed a political preference and, like past viruses, attacks everyone equally.

No one is denying religious freedom to churchgoers, only the freedom to go to church in large numbers at one time. Congregating has always been an important element of religious ritual for many people in many religions, but a public health emergency supersedes the wish of some to carry on as always at the expense of and to the detriment of the many. People can still pray, and in most places they can still gather to pray in groups of less than ten or thereabouts.


RĂ©plique du tombeau du Christ Ă  PĂąques 2017 dans l'Ă©glise Saint-Paul-Saint-Louis
Replica of Jesus Christ’s tomb at Easter 2017 in the church of Saint-Paul-Saint-Louis, in Paris, France. Photo by Tangopaso.

Some pastors don’t see it that way. They are pastors of Southern Baptist churches, by and large. They are led in their right wing political views and gullible belief in hoaxes concocted by their devilish foes in the center and left of American politics by people like Jerry Falwell Jr., the president of Liberty University in Lynchburg, Virginia. For these people, churchgoing is perhaps even more a social bond than it is a religious experience. They go to see and be seen.

Church is also a place where they reaffirm to each other their political bond, which is conservative at least, and right wing more often with each passing year. Taking away their church gatherings of dozens or hundreds of people in close proximity to each other is seen by them as prying apart the social and political bonds which are more important to them than the religious bonds affirmed in regular churchgoing. Their pastors can grandstand about supposed government and leftist persecution of their religious institutions, but their real worry is loosening the social and political bonds cemented regularly in seeing and being seen by their fellow congregants.
— Vita

 

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There Are No Easy Answers

 

Today is the 30th anniversary of the release of Spike Lee’s 1989 film Do the Right Thing, first shown at the Cannes Film Festival in France. May 19 is also the birth date of Malcolm X, whose posthumous influence on the film Mr. Lee acknowledges with a quote from him at the end, along with a quote from Martin Luther King Jr.. The quotes are about non-violent resistance to oppression (the Rev. King) and the occasional need for violence in self defense against oppressors (Malcolm X). As throughout the rest of the movie, Mr. Lee makes no judgements, but merely puts those ideas out there for the audience to consider. Do the Right Thing provokes thought; it does not provide answers, and 30 years later the state of race relations in America has hardly budged from what Mr. Lee portrayed in the film.

 

The film did not win the highest prize at Cannes, the Palme d’Or, though it was nominated. It was not nominated for Best Picture at the Oscars, and the film that won the honor for 1989 was Driving Miss Daisy, a good film about race relations but a safe one for Hollywood, and a film that in the years since has receded in importance in the rear view mirror. Nearly 30 years later, Spike Lee’s film BlacKkKlansman was nominated for Best Picture at the Oscars but lost to another safe film about race relations, Green Book. Both Driving Miss Daisy and Green Book are films produced by largely white filmmakers for consumption by a largely white audience, and are meant to comfort white liberals without unduly upsetting white conservatives. That each received Hollywood’s highest honor is a testament to the institution’s eagerness to pat itself on the back for occasionally making a social message movie without rocking too many boats.

MartinLutherKingMalcolmX
Martin Luther King Jr. and Malcolm X waiting for a press conference to begin in March 1964. Photo by Marion S. Trikosko for U.S. News & World Report, now in a collection at the Library of Congress.

What’s missing in that equation, of course, are African-Americans. In contrast, Spike Lee has made films for everybody, and Do the Right Thing was groundbreaking in that respect. All the characters he portrays are well rounded, with good and bad aspects to all of them. As the late film critic Roger Ebert noted, there are no heroes or villains that we can easily hang labels on. Those portrayals are more true to life than the safe, near-stereotypes portrayed in Driving Miss Daisy and Green Book. The complexity can also leave some viewers uneasy, since they desire the satisfaction of stories that follow a familiar arc leading to either a comforting conclusion or one that at least ties up some loose ends of the story. Do the Right Thing provides none of that. It is a wonder a major Hollywood studio, Universal, backed the film financially and distributed it widely. That it was popular with the public and, eventually, with most critics despite its unconventionality in style and substance is a testament to how well crafted it was by Mr. Lee and his cast and crew.

Ossie Davis as Da Mayor has a confrontation with some youths on the street in Do the Right Thing. Warning: foul language.

30 years later Do the Right Thing stays with people who view it now for the first time as much as it did with people who saw it then, prompting the same questions in their minds. A few years before Mr. Lee made the film, there was the racially charged incident at Howard Beach in the New York City borough of Queens, an incident which informed the events in Do the Right Thing. Two years after the movie came out, there was the police beating of Rodney King in Los Angeles, and despite the incident being filmed by a bystander, showing the excessive use of force by the police, the cops were subsequently cleared in court, leading to riots in black neighborhoods. There has been no end of ugly, often fatal, incidents in America like those portrayed in the movie, and they just keep coming, like waves pounding the shore. The observations Spike Lee made in Do the Right Thing about race relations in America are still relevant today; the question remains – is anybody listening well enough to change things?
— Vita

“I just want to say – you know – can we all get along? Can we, can we get along? Can we stop making it horrible for the older people and the kids?”
— Rodney King, speaking on television in relation to the riots in Los Angeles on May 1, 1992, after a jury acquitted the police who beat him the year before.

 

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Cursing the Darkness

 

There are some people who are so afraid of change that they would rather curse the darkness of their current situation than light a candle to change it. Such people curse an onerously expensive Comcast or Charter cable television and internet bill and the infamously poor customer service of those companies, and yet when they are presented with alternatives they hem and haw and drag their feet about contacting a competitor to the large cable television and internet providers. Part of the problem is fear of change, and part of it is the desire to continue having all of everything, all at once.

 

People living in or near cities have choices of providers for their television and internet services, while choices for people living in the countryside are far more limited. Nevertheless, while choices may be limited, they are available to people everywhere in the United States who are willing to forego having daily access to obscure specialty channels on cable television or to hundreds of GigaBytes (GB) of data each month for streaming content over the internet. People have to be willing to give up the passivity of slouching on their couches and letting Comcast do everything for them. If that’s what they want, then fine, but don’t expect everyone else to be sympathetic to complaints about high monthly bills for lousy service. Curse the darkness to yourself if you’re unwilling to light a candle to help yourself.

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A waitress lighting candles in a bar in Paris, France, in 2008. Photo by Jorge Royan.

For everyone else, there is research to be done, most likely over the internet, a job for which it is very well suited. Research options for internet service providers other than the large companies. You may have to make sacrifices in one way or another when changing to a local, small scale provider, but that is part of cutting the cord. It’s like changing from buying most of your groceries at a national or regional chain grocer to buying them from a local farmers’ market or independent grocer. City dwellers will of course have more options when it comes to technology than country folks, but the important thing to realize is that there are options, as long as people ditch the idea of having all of everything done for them all at once.

The same thing applies to television service, which starts with cutting the cord without bothering to find a new cord provider. Get an antenna! Local television stations are adding digital subchannels every year, and receiving them with an antenna costs nothing. The two key things to remember in buying an antenna are that there is no such thing as a digital or high definition television antenna (an antenna is an antenna, built to receive electromagnetic frequencies regardless of whether the content of those signals is analog or digital), and that resolving digital television content requires a slightly more powerful antenna than in the old days of resolving analog content. Where a rabbit ears antenna may have done the job before, today an outdoor antenna may be necessary for adequate reception.

A nice story from the actor, Jamie Farr, about his early days struggling to make a living in Hollywood. Documentaries like this are much easier to find now on the internet than on cable television.

Some folks who are fortunate enough to have hundreds of GigaBytes of internet data available each month at a reasonable price can do away with cable or antenna television service altogether, and instead use their internet service for viewing television. Do your research! Ask questions of yourself first about what it is you watch most and can’t do without. How many different ways are there to receive that programming? Chances are there are multiple ways of receiving your favorite content, and continuing to rely solely on companies like Comcast and Charter is a disservice to yourself and a way of continuing to curse the darkness. To take documentaries – serious documentaries, that is, not Shark Week documentaries or anything involving Guy Fieri – as one example, it is obvious that cable television offerings have been replaced in the past ten years by what’s available for free on YouTube and by subscription on services such as Netflix. Don’t keep sitting in the dark – light a candle, just don’t expect it to vanquish all the shadows in your life.
— Techly

 

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Build Bridges, Not Walls

 

Anyone who has ever been driving and had a collision with a deer or other large animal knows just how devastating it can be for the animal as well as for the driver and any passengers, besides the damage to the vehicle. Every year millions of animals die in collisions with vehicles, though of course only estimates are available on that number, and damage to vehicles comes to over eight billion dollars. The best method for reducing both those numbers appears to lie in building ways for animals to cross roads safely.

 

France led the way in the 1950s, building overpasses and underpasses for animals to use in crossing busy highways. Other European nations followed, and then Canada and the United States. There is still much to be done in all those countries, and even more in the rest of the world. The animals have a hard enough time navigating a world dominated by people, and they should not also have to risk death in the simple act of trying to get from point A to point B. People do it every day without serious thought of not returning home safely from their journey, though all the other drivers on the roads don’t always make it easy on account of their distractions and reckless behavior.

Axis axis crossing the road
A spotted deer crosses a road near a “Wildlife crossing” sign in Nagarhole National Park in India. Photo by Chinmayisk.

25-Orient Beach State Park
Wildlife crossing warning signs portraying a deer, a fox, and a turtle, in Orient Beach State Park in Orient Point, New York. Throughout the country, signs like this are  often pockmarked by blasts from the firearms of people who pass themselves off as wits. Photo by DanTD.

It makes even more sense to build more safe wildlife crossings when considering it is in our own self interest. A high speed collision between your vehicle and a deer will kill the deer either instantly or harm the deer grievously enough it will die later in great pain, and the collision will also cause thousands of dollars of damage to your vehicle and possible injuries to yourself and passengers, if any, adding up to thousands of dollars in medical expenses, as well as psychological trauma which may make you justifiably jumpy behind the wheel of an automobile from that point on. All this is obvious, and old news really. Why then wouldn’t highway departments across the country do more to mitigate this kind of thing?

A certain kind of person might view a wildlife crossing, be it an overpass or an underpass, and think “Look at all the money the highway department threw away just to protect some stupid animals, probably because a bunch of animal loving tree huggers wouldn’t shut up about it until they built it.” No, the wildlife crossing isn’t there solely for the sake of the animals, and whether a group of people this certain kind of person is contemptuous of pushed for the project is besides the point. The wildlife crossing is there for everyone, for animals to use and for people of every political persuasion to admire as they motor along more safely than they did without it. It is there to save everyone’s lives, and in the case of people it is there to save the treasure they care very much about, possibly more than the well-being of other creatures on this Earth. It is way past time for that certain kind of person to ask who is really the stupid one when it comes to how we cope with animals crossing the road which, as we all know, they will do come what may.
— Izzy

 

 

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This Colorful Life

 

Researchers at the University of Southern Denmark recently discovered arsenic in the green pigment used on the covers of some Renaissance manuscripts, which means they are unreadable without special handling. The pigment was not put there by the original writers or printers, but by Victorian preservationists who were most likely trying to prevent insect damage. The pigment, known as Parisian Green, was known at the time to ward off insects, but the link to arsenic was little known at the time. Production of Parisian Green has since been discontinued, joining a list of other toxic pigments whose drawbacks became known over time.

 

The late nineteenth century Impressionist painter Vincent van Gogh may have succumbed to lead poisoning, dying at 37 of a self-inflicted gunshot after one of his many fits of delirium. This is one of many speculations about van Gogh’s troubled mental life. Van Gogh was extraordinarily prolific in his short career, producing over two thousand paintings in the course of ten years. He left behind many letters describing his technique and materials, and from those historians have speculated van Gogh’s high productivity exposed him to the lead in his oil paints more than what other artists of the period experienced.

WLA ima Landscape at St Remy
Enclosed Wheat Field with Peasant / Landscape at Saint-RĂ©my, an 1889 painting Vincent van Gogh produced while staying at an asylum in southern France.

There is another aspect of van Gogh’s use of certain pigments which has come to light in recent years, and that is the susceptibility of some of them, mainly the yellows he mixed with white in order to lighten them, to fade to a dull brown after prolonged exposure to sunlight. Van Gogh’s paintings of sunflowers are particularly vulnerable to losing their unique quality on account of this unfortunate chemical reaction. Ironic that an artist who delighted in the strong sunlight of southern France and attempted to bring out its shining brightness in the strong yellows of his paintings should have his efforts diluted by the effects of sunlight.

Homo sapiens have some of the best color vision in the animal kingdom. Only birds have better color vision overall, as evidenced by the wide range of color displays in their plumage. Humans don’t have colorful plumage, of course, but there are many other ways we make use of our excellent color vision, and one of them is our zealous pursuit of pigments and dyes to reproduce the colors we see in the world. Our desire to display the colors we see in the world and express to others our own imaginative vision manifests not so much with our own bodies, which are limited canvases, but in art and design, in paintings and fabrics since antiquity, and in film and electronics over the last hundred or more years.

A video tribute to Vincent van Gogh set to Don McLean’s 1971 song “Vincent (Starry, Starry Night)”.

Vincent van Gogh, driven as he was to recreate in his paintings the life he saw not only with his eyes, but with his mind’s eye, may have gone on even knowing the health risks of some of the pigments he was using because the colors he sought could be achieved no other way at the time, though he may have reconsidered using some others had he known of their eventual degradation of his vision. It’s also possible that for him the painting was the thing, capturing what he saw and felt at the moment, and letting the future be what it will.
— Vita

 

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Heaven Smells of Bread Baking

 

“The smell of good bread baking, like the sound of lightly flowing water, is indescribable in its evocation of innocence and delight.” — M.F.K. Fischer (1908-1992)

Supermarkets are often not the most appealing places, despite the efforts of the owners to entice buying by using attractive layouts and presentations, but the one biggest sales pitch they can offer is a byproduct of their work, and it is the alluring smells emanating from the bakery section, early in the morning especially. It is an amazing occurrence that in an otherwise stale, uninteresting place, the aroma of bread baking should catch our noses and take us to a comforting place of memory or imagination and draw us toward it, if not to buy, to at least inquire of the baker what is in the oven at the moment that is wafting toward us such heavenly smells.


Bread-Baking (Charlotte Mannheimer) - Nationalmuseum - 21782
Bread-Baking, an 1895 painting by Charlotte Mannheimer (1866-1934).

The sense of smell is more closely and directly tied to the sense of taste and of memory than are the senses of vision, hearing, or touch, and that is understandable when we consider that it is a chemical sense which cuts to the essence of things quickly. No one, after all, has suffered intestinal distress from eating something merely because it looked unappetizing. Should I eat this? It looks okay and doesn’t feel strange other than being a bit soft, and of course it doesn’t sound like anything, but it smells a little off. No, I will not eat it. Useful information to have before putting the substance in one’s mouth and possibly ingesting something sickening. It’s why smell is tied so closely to taste that people who have lost the sense of smell, as can happen in old age, also lose the sense of taste, and therefore appetite.

Why smell and memory should be linked tightly together is more of a mystery. An American who has visited France and smelled the aroma of freshly baked baguettes might have memories of that visit elicited unbidden simply by walking past an excellent bakery in this country early in the morning as various breads are baking in the shop. The nose will pick out the one particular smell and, with its direct link to memory, evoke that long ago trip anew. What evolutionary purpose could that serve? It perhaps rings back to a time when we weren’t the highly visual creatures we are now, and instead relied on smell to tell us whether something we were encountering currently had positive or negative connotations in our memory.

Bread for sale at Granville Island Markets
Freshly baked bread for sale at Granville Island Markets in Vancouver, British Columbia, Canada. Photo by Schellack.

It’s helpful to realize that the connection of the sense of smell with the brain takes place at the core level, whereas the sense of sight was layered onto the brain later in our development. That should also help explain why the inextricable connection between smell and memory often eludes our ability to describe it in language, a much later cognitive development even than sight. Smell, it seems, bypasses our more sophisticated powers and goes directly to our emotions, the core of our animal being that we share with millions of other creatures on Earth. When we smell good bread baking, we don’t need to intellectually analyze our reactions our wax poetic about it, describing the situation in a million flowery words, because our brains, nervous systems, and our entire bodies take care of telling us what we need to know. For many of us, our involuntary reactions of mouth watering and imagining of savory yellow butter melting into warm slices of bread will lead us into the shop to make a purchase, staving off for the day the hunger of the beast within us, and rewarding us with pleasant memories for days in the future when that heaven-sent smell wafts our way again.
— Izzy

 

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No One Gets Out Alive

 

There’s a wonderful feeling that comes with stepping outside into the cool of the evening after a hot day. There are a lot of little things that go toward making life pleasant if a person has been lucky in their circumstances. Living past middle age into one’s sixties and seventies is a great blessing, and while there may be pain associated with such longevity, most people would accept the trade-off. Asking for more life is almost too much. There are others waiting.

Into the Jaws of Death 23-0455M edit
“Into the Jaws of Death”. United States soldiers of the 1st Infantry Division wade ashore on Omaha Beach, France, on the morning of June 6, 1944. During the initial landings on D-Day, as many as two thirds of the soldiers in some infantry companies became casualties. Photo by Coast Guard Chief Photographer’s Mate Robert F. Sargent.


In the Native American cultures of North America, everything is living and everything eventually returns into the cycle of life when it dies, including people. In Old World cultures, and particularly those of Europe and the Mediterranean Basin, almost everything is regarded as dead or inert, and when people die their passing has finality. No one in either culture knows for certain what happens after death, but it seems evident to some people that in a living world where a person is one part joining a river flowing to the sea, there is less terror in death, and more an acceptance of it as a metamorphosis into another part of life.
— Izzy

 

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When We Were Okay

 

“For what shall it profit a man, if he shall gain the whole world, and lose his own soul?”
― Jesus Christ, quoted in the Gospel of Mark, 8:36, King James Version.

For many Americans in the growing lower class and shrinking middle class, the American Dream of their parents and grandparents no longer means the same things or presents the same possibilities. How can it, when they have been either treading water or slipping beneath the waves for over a generation now? In 1971, the middle class was 61 percent of the population, and the lower class was at 25 percent. In 2015, the middle class had slipped to 50 percent, while the lower class had increased to 29 percent. What group had increased it’s numbers the most at the expense of the middle class? The upper class increased from 14 percent in 1971 to 21 percent in 2015. Those numbers reflect population shifts within income groups; the shifts of actual income have been proportionally even greater.

Cass Elliot sang this version of the old standard “Dream a Little Dream of Me” when she was with The Mamas & The Papas in 1968.

We hear a lot lately about American Exceptionalism, as if it was somehow tied in with the American Dream. But that is an unfortunate misconception. American Exceptionalism, as invoked by modern politicians, isn’t much more than the Manifest Destiny of the nineteenth century or the pushy nation meddling and nation building of the twentieth century. We’ve got a lot of crust, telling everybody else what to do and how to live just because we think we’re special. Of course, all that political proselytizing is merely a cover for corporations to grab resources and exploit cheap labor abroad. They don’t “hate us for our freedoms”, they hate us for our hypocrisy and our meddling.

Back home, where we belong, the American Dream is a noble sentiment when it refers to a better life through hard work, education, and civic virtue. According to the Gospels, those are values Jesus Christ spoke of many times. The American Dream has not historically meant “grab all you can and the Devil take the hindmost”. It is truly amazing how many wealthy Americans profess Christian values, yet in their actions do little or nothing to uphold them.
Claude Vignon and Workshop - Croesus showing Solon his treasures
Croesus Showing Solon His Treasures, a painting from the 1630s by Claude Vignon (1593-1670) and his workshop assistants. Croesus was the famously wealthy King of Lydia in the sixth century, BCE, and Solon was a renowned Athenian lawgiver.
Those wealthy hypocrites, the money-changers, are the ones who need their taxes raised to 1950s levels. They are the ones whose overseas tax shelters and corporate headquarters need to be brought back home, where they belong. They are the ones whose profiteering from the military-industrial complex needs to be severely curtailed by bringing the troops back home and closing down the more than 1,000 military installations overseas. Those troops could be put to work in this country repairing infrastructure, and then given a proper GI Bill for their education. There is a long laundry list of other things that need doing to return this country not to when it was “great”, which bespeaks the hubris of the American Exceptionalism that has caused so much trouble for us and the world, but to when the middle class at least was okay, and with a prospect for the lower class of getting better. To start, stop glorifying the wealthy. They don’t need your help, unless it’s to carry their water.

A scene with Harvey Korman and Mel Brooks from Brooks’s 1981 movie History of the World, Part 1, depicts his vision of France before its revolution in the eighteenth century. Twenty first century America is not there yet, but we’re closing in on it. Warning: foul language.
― Vita
Special note: To learn more about this subject, watch the 2015 documentary Requiem for the American Dream, featuring Noam Chomsky, or read his book by the same name.

 

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The Games People Play

 

“Some people are born on third base and go through life thinking they hit a triple.”
― Barry Switzer, U.S. football coach.

 

In 1976, the movie Network satirized the television business of the day and projected then current trends into the future, to extremes that at the time seemed preposterous. A reality show about terrorists? A planned assassination filmed live on television? Too much! Satire turned into fantasy! Looking back from over forty years later, we realize maybe it wasn’t too much. Maybe it was prophetic.

George Fenneman and Groucho Marx You Bet Your Life 1951
George Fenneman and Groucho Marx
on “You Bet Your Life” in 1951, a quiz show
where the financial stakes weren’t as
important as entertaining conversation.

Thirteen years before Network appeared in theaters, the psychologist Stanley Milgram conducted an experiment at Yale University that tested how far subjects would go in administering electric shocks to other people they thought were also subjects of the experiment, but who in fact were actors. It turned out that when directed by authority figures (also actors), two thirds of the subjects giving shocks escalated the punishment to 460 volts, which is severe to the point of being dangerously debilitating. In 2010, a game show aired in France which re-enacted the parameters of the Milgram experiment in the name of televised entertainment. The producers later revealed that the show was in fact a fictitious re-enactment, with no one harmed, but most of the participants did not know that while the show was in production, nor did the studio audience. In the French game show, 80% of the subjects delivering shocks escalated them to 460 volts.

A 2012 experiment designed by the psychologist Paul Piff at the University of California-Berkeley had subjects play the board game “Monopoly,” with the rules changed to allow one subject to enjoy advantages throughout the game. The methodology and results of the experiment appear to indicate we do not so much learn the haughtiness of economic privilege as have the capacity already within us, waiting only for the switches of power and money to activate it. Economic inequality in the United States has burgeoned since the 1970s when the fictitious mad TV news anchor, Howard Beale, ranted about the inequities in American society, and the divergence between the haves and have nots has only increased since then.


The point where the 2010 French game show and the 2012 “Monopoly” experiment intersect is in describing what has become acceptable behavior for people seeking fame and fortune. Forty or fifty years ago, before YouTube and Instagram and Twitter and Facebook, fame and fortune were as like as not obtainable only after a long slog of work for most, and certainly it was rare to become an overnight sensation. Now we see that most people have sloughed off the diffidence and decorum they had when appearing in public in the age before instantaneous media saturation. Now it seems many people feel little restraint in satisfying their thirst for fame and fortune, no matter how ignominiously won, and will cast off all restraint when egged on by peers or authority figures. Now conscientiousness and civility have become quaint afterthoughts.
― Vita

 

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